Because she jumbles up so many cultural categories, because she is a feminist not in the Yale Gender Studies sense but the How Do I Reload This Thang way, because she is a woman who in style, history, moxie and femininity is exactly like a normal American feminist and not an Abstract Theory feminist; because she wears makeup and heels and eats mooseburgers and is Alaska Tough, as Time magazine put it; because she is conservative, and pro-2nd Amendment and pro-life; and because conservatives can smell this sort of thing — who is really one of them and who is not — and will fight to the death for one of their beleaguered own; because of all of this she is a real and present danger to the American left, and to the Obama candidacy.
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"Open Mic Night at MSNBC" The Wall Street Journal (3 September 2008)Peggy Noonan
The 1990s brought a widespread backlash against this rigid feminist orthodoxy [in American academia]. For many, it was personified by Camille Paglia, a professor at an obscure university in Philadelphia, who, in her 1990 book Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, as well as in scores of essays and interviews, dismissed women’s contributions to Western culture (“There are no female Mozarts”) and mocked the “weepy, whiny, white middle-class ideology” of the “Stalinist” feminist movement under Gloria Steinem, which Paglia reviled for its intellectual vacuity, sexual puritanism, and hostility to men -- not to mention its obsessive victim mentality, which, in her view, only served to reinforce Victorian stereotypes. For Paglia, women, far from being the weaker sex, were gifted by nature with an innate power over men -- the power of sex. […] The feminist establishment, however, chose not to learn from but to vilify Paglia and company. And Women’s Studies, unable to answer them, all but ignored them.
Camille Paglia
Sontag's cool exile was a disaster for the American women's movement. Only a woman of her prestige could have performed the necessary critique and debunking of the first instant-canon feminist screeds, such as those of Kate Millett or Sandra Gilbert and Susan Gubar, whose middlebrow mediocrity crippled women's studies from the start. No patriarchal villains held Sontag back; her failures are her own.
Susan Sontag
When mining… and other death professions are discussed in feminist publications, they are portrayed as examples of the male power system, as male-only clubs. However, when Ms. Magazine profiled female miners, the emphasis was on how the woman was ‘forced’ to take a job in the mines because it paid the best, and how taking such a job was the only way she could support her family.
Warren Farrell
Just released in 1994 is Christina Hoff Sommers’s landmark study, Who Stole Feminism?, which uses ingenious detective work to unmask the shocking fraud and propaganda of establishment feminism and the servility of American media and academe to Machiavellian feminist manipulation. This bracingly precise, fact-based book should be required reading for every journalist. Sommers is a courageous academic philosopher who was one of the very first to systematically critique current feminist ideology and who took tremendous abuse for it. … Sommers has done a great service for women and for feminism, whose fundamental precepts she has clarified and strengthened.
Camille Paglia
Noonan, Peggy
Noory, George
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