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At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?
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"Stanley Strangelove" (January 1972) , review of A Clockwork Orange

 

Pauline Kael

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Intellectual freedom is essential to human society — freedom to obtain and distribute information, freedom for open-minded and unfearing debate, and freedom from pressure by officialdom and prejudices. Such a trinity of freedom of thought is the only guarantee against an infection of people by mass myths, which, in the hands of treacherous hypocrites and demagogues, can be transformed into bloody dictatorship. Freedom of thought is the only guarantee of the feasibility of a scientific democratic approach to politics, economy, and culture.
But freedom of thought is under a triple threat in modern society—from the deliberate opium of mass culture, from cowardly, egotistic, and philistine ideologies, and from the ossified dogmatism of a bureaucratic oligarchy and its favorite weapon, ideological censorship. Therefore, freedom of thought requires the defense of all thinking and honest people.

 

Andrei Sakharov

 

I am really astonished at the number of violent acts.
I'm not saying that the movies created these situations, because there are a whole bunch of things.
But a lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become de-sensitized to violence when you see it on the screen so often.
Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets.

 

Madeleine Stowe

 

And for anyone to think that murder can be resolved by murdering, it's ridiculous. I mean, we look at all of the wars that we have throughout other countries and other nations, and all it does is – this violence, all it does is engender violence. There seems to be no end, but a continuous cycle, an incessant process of blood and gore that doesn't end. And through violence, you can't possibly obtain peace. You can, in a sense, occupy a belief of peace; in other words, through this mechanism of violence, you – it appears that because there is a standing army or standing police that is used in brutality or violence or a system that uses brutality or violence that that is going to totally eliminate or stop criminous behavior or criminous minds or killings or what have you, but it doesn't.

 

Stanley Williams

 

There is the past and its continuing horrors: violence, war, prejudices against those who are different, outrageous monopolization of the good earth's wealth by a few, political power in the hands of liars and murderers, the building of prisons instead of schools, the poisoning of the press and the entire culture by money. It is easy to become discouraged observing this, especially since this is what the press and television insist that we look at, and nothing more.
But there is also the bubbling of change under the surface of obedience: the growing revulsion against endless wars, the insistence of women all over the world that they will no longer tolerate abuse and subordination… There is civil disobedience against the military machine, protest against police brutality directed especially at people of color.

 

Howard Zinn

 

Any country that has sexual censorship will eventually have political censorship.

 

Kenneth Tynan