Rozema is one of Canada's most recognizable and successful film artists, famous for works in which the wilful imagination asserts itself despite bureacracy, convention, and social expectation. As a writer and filmmaker, she is drawn to romantic figures whose artistry persists despite various obstacles, from institutionally derived notions of artistic standards to religiously supported ideas of appropriate sexualities.
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Brenda Austin Smith, in "Woman with a Movie Camera : Patricia Rozema's Revisionist Eye", in Great Canadian Film Directors (2007), edited by George Melnyk, p. 253Patricia Rozema
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In this land of unlimited opportunity, a place where, to paraphrase Woody Allen, any man or woman can realize greatness as a patient or as a doctor, we have only one commercial American filmmaker who consistently speaks with his own voice. That is Woody Allen, gag writer, musician, humorist, philosopher, playwright, stand-up comic, film star, film writer and film director.
Woody Allen
Rozema has established herself as an exceptional and distinctly sensual visual stylist. Her films are characterized by self-referential narration, idiosyncratic protagonists (who are often struggling artists), formal adventurousness, and the use of fairy tales, mythology, and poetry as structuring notions.
Patricia Rozema
The militarily-patriotic and the romantic-minded everywhere, and especially the professional military class, refuse to admit for a moment that war may be a transitory phenomenon in social evolution. The notion of a sheep's paradise like that revolts, they say, our higher imagination. Where then would be the steeps of life? If war had ever stopped, we should have to re-invent it, on this view, to redeem life from flat degeneration.
Reflective apologists for war at the present day all take it religiously. It is a sort of sacrament. It's profits are to the vanquished as well as to the victor; and quite apart from any question of profit, it is an absolute good, we are told, for it is human nature at its highest dynamic.William James
Thomas offers a “sustained critique” not of Romanticism, but of a world that has “eroded away”— a world that has abandoned Romantic imagination. ... Thomas intends to resist the anti-romantic Modern spirit. Moreover, as he struggles with his personal faith, the poet’s Romantic imagination defines his attempts to commune with God.
R. S. Thomas
A famous writer who wants to continue writing has to be constantly defending himself against fame. I don't really like to say this because it never sounds sincere, but I would really have liked for my books to have been published after my death, so I wouldn't have to go through all this business of fame and being a great writer. In my case, the only advantage to fame is that I have been able to give it a political use. Otherwise, it is quite uncomfortable. The problem is that you're famous for twenty-four hours a day, and you can't say, "Okay, I won't be famous until tomorrow," or press a button and say, "I won't be famous here or now."
Gabriel Garcia Marquez
Rozema, Patricia
Rubaie, Mowaffak
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