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Oscar Wilde

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He was a great artist. He also was really a charlatan. I mean by a charlatan one sufficiently dignified to despise the tricks that he employs. ... Wilde and his school professed to stand as solitary artistic souls apart from the public. They professed to scorn the middle class, and declared that the artist must not work for the bourgeois. The truth is that no artist so really great ever worked so much for the bourgeois as Oscar Wilde. No man, so capable of thinking about truth and beauty, ever thought so constantly about his own effect on the middle classes. ... One might go through his swift and sparkling plays with a red and blue pencil marking two kinds of epigrams; the real epigram which he wrote to please his own wild intellect, and the sham epigram which he wrote to thrill the very tamest part of our tame civilization.
--
G. K. Chesterton, in Daily News (19 October 1909).

 
Oscar Wilde

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The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover's quarrel with the world. In pursuing his perceptions of reality, he must often sail against the currents of his time. This is not a popular role. If Robert Frost was much honored in his lifetime, it was because a good many preferred to ignore his darker truths. Yet in retrospect, we see how the artist's fidelity has strengthened the fibre of our national life. If sometimes our great artist have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.

 
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Catherine II of Russia
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