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All of the stage names evaporate, and it's just a blood-flushed and heart-rushing race; either to kick off too soon or stick round too late, to be far too dear or too cut-rate.
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Okkervil River

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He paused and stood up, looking at the shadows under the trees. His voice was lower when he spoke again.
"But we'll leave part of the kill for …"
He knelt down again and was busy with his knife. The boys crowded round him. He spoke over his shoulder to Roger.
"Sharpen a stick at both ends."
Presently he stood up, holding the dripping sow's head in his hands.
"Where's that stick?"
"Here."
"Ram one end in the earth. Oh — it's rock. Jam it in that crack. There."
Jack held the head and jammed the soft throat down on the pointed end of the stick which pierced through into the mouth. He stood back and the head hung there, a little blood dribbling down the stick."
Instinctively the boys drew back too; and the forest was very still. They listened, and the loudest noise was the buzzing of the flies over the spilled guts."

 

William Golding

 

First we had the legs race. Then we had the arms race. Now we're going to have the brain race. And, if we're lucky, the final stage will be the human race.

 

John Brunner

 

After all there is throughout this world so far as man is concerned but a single race - the human race, kept alive by one common blood, the human blood. All other talk is at best provisional, a makeshift and only relatively true. (...) Even as it is, not even the aborigines of the Andamans are without some sprinkling of the so-called Aryan blood in their veins and vice-versa. Truly speaking all that one can claim is that one has the blood of all mankind in one’s veins. The fundamental unity of man from pole to pole is true, all else only relatively so.

 

Vinayak Damodar Savarkar

 

“(I got introduced to) the late and great Mani Madhava Cakyar’s King Udayana in Svapnavasavadatta. In what may have been among his last performances on the public stage I was fortunate to see Sri Cakyar, who at an advanced age, literally threw away his walking stick as he entered the stage to become a sprightly royal lover pining away for his beloved Vasavadatta. At his home in Likkadi he demonstrated the nava rasas... Sri Cakyar vividly illustrated to me that kutiyattam acting has the power to transform even the oldest person into the character he portrays”
- Prof. Farley P. Richmond (Expert on Indian theatre), Department of Theatre and Film Studies, University of Georgia.

 

Mani Madhava Chakyar

 

Mr. Iwata, perhaps this year I can just take the names and you can kick the....you know...

 

Reggie Fils-Aime