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A writer who presents men and women as creatures truncated below the waist is exposed as one who goes about without his trousers saying, 'see, I have had my testicles removed.'

 

Norman Lindsay

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They're really designed so that our black coat will give you a waist, our trousers will hide your saddle bags, our cashmere makes your tits look great.

 

Trinny Woodall

 

I don't want to make any huge generalisations about women, I'm not here to do that, it's — it's vulgar. But all I'll say is that they have no feelings. Because it's actually men, you'll find, who are the far more romantic. Men are the people you will hear say, "I've found somebody. She's amazing. If I don't get to be with this person, I'm f**ked. I can't carry on, no, I mean it, she's totally transformed my life. I have a job, I have a flat, it means nothing. I can't stand it, I have to be with her. Because if I don't, I'm going to end up in some bedsit, I'll be alcoholic, I'll have itchy trousers. I can't — I can't walk the streets any more." That is how women feel about shoes.

 

Dylan Moran

 

Among the fundamental values linked to women's actual lives is what has been called a 'capacity for the other.' Although a certain type of feminist rhetoric makes demands 'for ourselves,' women preserve the deep intuition of the goodness in their lives of those actions which elicit life, and contribute to the growth and protection of the other. . . . But, in the final analysis, every human being, man or woman, is destined to be 'for the other.' . . . Therefore, the promotion of women within society must be understood and desired as a humanization accomplished through those values, rediscovered thanks to women. Every outlook which presents itself as a conflict between the sexes is only an illusion and a danger; it would end in segregation and competition between men and women, and would promote a solipsism nourished by a false conception of freedom.

 

Benedict XVI (Pope)

 

But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence — of someone resenting the treatment of her sex and pleading for its rights.

 

Virginia Woolf

 

You know, whenever women make imaginary female kingdoms in literature, they are always very permissive, to use the jargon word, and easy and generous and self-indulgent, like the relationships between women when there are no men around. They make each other presents, and they have little feasts, and nobody punishes anyone else. This is the female way of going along when there are no men about or when men are not in the ascendant.

 

Doris Lessing