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People think of heaven as a paradise garden, a place where they can float on clouds and laze in rivers and mountains. But scenery without solace is meaningless.

 

Mitch Albom

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Ikenobo Sen'o, a master of flower arranging, once said (the remark is to be found in his Sayings): "With a spray of flowers, a bit of water, one evokes the vastness of rivers and mountains." The Japanese garden too, of course symbolizes the vastness of nature. The Western garden tends to be symmetrical, the Japanese garden asymmetrical, and this is because the asymmetrical has the greater power to symbolize multiplicity and vastness. The asymmetry, of course, rests upon a balance imposed by delicate sensibilities. Nothing is more complicated, varied, attentive to detail, than the Japanese art of landscape gardening. Thus there is the form called the dry landscape, composed entirely of rocks, in which the arrangement of stones gives expression to mountains and rivers that are not present, and even suggests the waves of the great ocean breaking in upon cliffs.

 

Yasunari Kawabata

 

You see the rivers running east. Then you see mountains rise. Rivers run off them to the west. Mountains come up like waves. They crest, break, and spread themselves westward. When they are spent, there is an interval of time, and then again you see the rivers running eastward. You look over the shoulder of the painter and you see all that in the landscape. You see it if first you have seen it in the rock. The composition is almost infinitely less than the sum of its parts, the flickers and glimpses of a thousand million years.

 

John McPhee

 

Our glories float between the earth and heaven
Like clouds which seem pavilions of the sun.

 

Edward Bulwer-Lytton

 

At Posada, Calugareni, on the Olt, jiu and.Cerna rivers, at Turda; in the mountains of the unhappy and forgotten Moti of Vidra, all the way to Huedin and Alba-Iulia (the torture place of Horia and his brothers-in-arms), there are everywhere testimonies of battles and tombs of heroes. All over the Carpathians, from the Oltenian mountains at Dragoslavele and at Predeal, from Oituz to Vatra Dornei, on peaks and in valley bottoms, everywhere Romanian blood flowed like rivers. In the middle of the night, in difficult times for our people, we hear the call of the Romanian soil urging us to battle. I ask and I expect an answer: By what right do the Jews wish to take this land from us? On what historical argument do they base their pretensions and particularly the audacity with which they defy us Romanians, here in our own land? We are bound to this land by millions of tombs and millions of unseen threads that only our soul feels, and woe to those who shall try to snatch us from it.

 

Corneliu Zelea Codreanu

 

It is not the right angle that attracts me.
nor the straight line, tough, inflexible,
created by man.
what attracts me is the free, sensual curve.
the curve I find in the mountains of my country,
in the sinuous course of its rivers,
in the waves of the sea,
in the clouds of the sky,
in the body of the favourite woman.
Of curves is made all the universe.

 

Oscar Niemeyer