A rush of wind comes furiously now, down from the mountaintop. "The ancient Greeks," I say, "who were the inventors of classical reason, knew better than to use it exclusively to foretell the future. They listened to the wind and predicted the future from that. That sounds insane now. But why should the inventors of reason sound insane?"
Robert M. Pirsig
In the decades to come, the memory of the scene might blur. But the memory of the sound will remain with everyone who was here. Not the sound of the cheers, or the sound of Henry Aaron saying "I'm thankful to God it's all over," but the sound of Henry Aaron's bat when it hit the baseball tonight... At home plate, surrounded by an ovation that came down around him as if it were a waterfall of appreciation, he was met by his teammates who attempted to lift him onto their shoulders. But he slipped off into the arms of his father Herbert Sr., and his mother Estella, who had hurried out of the special box for the Aaron family near the Braves' dugout. "I never knew," Aaron would say later," that my mother could hug so tight."
Hank Aaron
"Imagining the future is a kind of nostalgia."
"Huh?" I asked.
"You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present."John Green
We "conserve" nothing; neither do we want to return to any past periods; we are not by any means "liberal"; we do not work for "progress"; we do not need to plug up our ears against the sirens who in the market place sing of the future: their song about "equal rights," "a free society," "no more masters and no servants" has no allure for us.
Friedrich Nietzsche
We started out in the middle ages creating music which had certain desirable physical properties (for example, a major chord sounds "nice" because the frequencies are in integer ratios to each other). And then as society evolved, we created these emotional contexts for certain instruments and progressions. Major-chord arpeggios sound "happy", minor chords sound "sad", chromatic scales can sound "scary", et cetera. In the 20th century, film soundtracks reinforced this point as people associated certain kinds of music with certain visual and emotional experiences. It's a giant feedback loop, really; once you grow up in a given culture, it leaves this musical fingerprint on you which colors your experiences.
Andrew Sega
"Thank you for splitting. I guess we'd all better get on with it."
"Indeed," said Dame Quarto.
"We had," added Dame Septum. She raised her hand and dramatically announced, "I shall attend to the Middle House!"
"And I to the mountains!" declared Dame Quarto, and both strode from the room.
"And I to... sorting our Superior Saturday," said Arthur. Somehow it didn't sound the same.Garth Nix
M.I.A.
Ma Anliang
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