Garth Nix
Australian author of fantasy novels for young adults.
"You're really, truly not going to kill everyone?" asked Marek.
"No!" shouted Arthur. "Why do you keep asking? Do I look like some kind of crazy murderer?"
"No..." Marek sounded as if he did still think that but didn't want to upset Arthur.
"No mother, no father, no Sight."
"Lord Arthur, may I present Lady Wednesday's Dawn?"
Arthur bowed. He had already half-guessed the identity of their surprise guest. She had the hauteur that all the chief servants of the Trustees possessed. A kind of look that said, I am superior and you had better admit it.
"Who can I trust?" Arthur blurted out.
"Those who wish you well," said the Old One. "Not those who wish to use you well. Be a player, not a pawn. And that is three questions and all your time."
I don't believe authors need to keep any specific values or ideas in mind while they are writing for children, but I do think authors need to be aware of their audience, and of the effect their work may have. So if they want to address particularly sensitive topics or taboos, they have to do so consciously and carefully. This is very different to toeing a particular moral line or leaving things out.
Certainly I don't think good always has to triumph over evil; it depends on the story and the aims of the book. For example, I could envisage telling a story where the inaction of people leads to the triumph of evil. But I would include the hope that this would lead to the people involved doing better next time. Is that story then really about the triumph of evil, or is it about the awakening of opposition to evil?
"So are you saying that somebody went to all the trouble to make you a crypt a thousand years ago on the off chance that you might turn up one day, walk in, and have a convenient heart attack?"
"I am a necromancer, but not of the common sort, while others of the art raise the dead, I lay them to rest - or try too - and those that will not rest I bind, for I am Abhorsen..."
He turned to the baby again and added, almost with a note of surprise, "Father of Sabriel."
Soon the Myrmidons would surround him, silver nets shooting out to catch him in their sticky tracery. Then a Winger would come to take him away. Back to the Dorms. Or if he was old enough... straight to the Meat Factory.
"Lieutenant Crosshaw says you are a special case!" bellowed Helve. "I do not like special cases! Special cases do not make good soldiers! Special cases do not help other recruits become good soldiers! Therefore, you will not be a special case! You understand me!"
"I think so-"
"Shut up! That was not a question!"
"Time and death sleep side by side," said the Dog. "Both are in Astrael's Domain."
"For everyone and everything, there is a time to die. Some do not know it, or would delay it, but its truth cannot be denied. Not when you look into the stars of the Ninth Gate."
"A year ago, I turned the final page of The Book of the Dead. I don't feel young any more."
"Does the walker choose the path, or the path the walker?"
"You're sure that we'll find someone suitable here?"
"Sure as eggs is eggs," replied Sneezer. "Surer even, eggs not always being what one might expect."
"Wake me when what terrible thing is going to happen, happens, or if it appears I might get wet."
"Thank you for splitting. I guess we'd all better get on with it."
"Indeed," said Dame Quarto.
"We had," added Dame Septum. She raised her hand and dramatically announced, "I shall attend to the Middle House!"
"And I to the mountains!" declared Dame Quarto, and both strode from the room.
"And I to... sorting our Superior Saturday," said Arthur. Somehow it didn't sound the same.
“Toys, Abhorsen. And too late. Much too late.”
It was not just words he spoke, but power, Free Magic power that froze Sabriel’s nerves, caught at her muscles. Desperately, she struggled to ring the bells, but her wrists were locked in place…
Tantalizingly slowly, Kerrigor glided forward, till he was a mere arm’s length away. Towering over her like some colossal statue of rough-hewn night, his breath rolling down on her with the stench of a thousand abattoirs.
Someone – a girl quietly coughing out her last breath on the floor – touched Sabriel’s ankle with a light caress. A small spark of golden Charter Magic came from that dying touch, slowly swelling into Sabriel’s veins, traveling upwards, warming joints, freeing muscles. At last it reached her wrists and hands–and the bells rang out.
It was not the clear, true sound it should be, for somehow the bulk of Kerrigor took the sound in and warped it– but it had an effect. Kerrigor slid back, and was diminished, till he was a little more than twice Sabriel’s height.
But he was not subject to Sabriel’s will. Saraneth had not bound him, and Kibeth had only forced him back.
Sabriel rang the bells again, concentrating on the difficult counterpoint between them, forcing all her will into their magic. Kerrigor would fall under her domination, he would walk where she willed…
Gold-Eye's Change Vision suddenly gripped him, showing him a picture of the unpleasantly close future, the soon-to-be-now.
Doors slid open at each end of the carriage, forced apart by metal-gauntleted hands four times the size of Gold-Eye's own. Fog no longer fell in lazy swirls, but danced and spiraled crazily as huge shapes lumbered in, moving to the pile of blankets...
Gold-Eye didn't wait to see more. He came out of the vision and took the escape route he'd planned months before, when he'd first found the carriage. Lifting a trapdoor in the floor, he dropped down, down to the cold steel rails.
"What do we do if we don't go through a hole?" asked Suzy.
"I think we get smashed to bits," said Arthur. "But like Longtayle said, it's mostly holes. And the current must aim for the holes, or get directed through them. We'll be all right."
"What happens if we don't get smashed completely to bits, but just a bit smashed to bits?" asked Suzy after a while. "I mean, so we're still alive but drowning?"
"Suzy, please don't ask me these questions right now," said Arthur, with as much restraint as he could manage.
"Yeerch. Soap. See how much I love you?"