Words were shapes and sounds to him. He saw them, as if he were listening to an unknown language, in shapes.
--
Maeve Gilmore (his widow), Introduction to A Book of Nonsense, p.10Mervyn Peake
Smooth shapes are very rare in the wild but extremely important in the ivory tower and the factory, and besides were my love when I was a young man. Cauliflowers exemplify a second area of great simplicity, that of shapes which appear more or less the same as you look at them up close or from far away, as you zoom in and zoom out.
Before my work, those shapes had no use, hence no word was needed to denote them. My work created such a need and I coined "fractals."Benoit Mandelbrot
It was not that the figure had been removed, not that the figures had been swept away, but the symbols for the figures, and in turn the shapes in the later canvases were substitutes for the figures.. ..these new shapes say.. ..what the symbols said. (Rothko, explaining Seitz his new way of painting during the mid-1940s)
Mark Rothko
The same law that shapes the earth-star shapes the snow-star. As surely as the petals of a flower are fixed, each of these countless snow-stars comes whirling to earth...these glorious spangles, the sweeping of heaven's floor.
Henry David Thoreau
To appreciate the nature of fractals, recall Galileo's splendid manifesto that "Philosophy is written in the language of mathematics and its characters are triangles, circles and other geometric figures, without which one wanders about in a dark labyrinth." Observe that circles, ellipses, and parabolas are very smooth shapes and that a triangle has a small number of points of irregularity. Galileo was absolutely right to assert that in science those shapes are necessary. But they have turned out not to be sufficient, "merely" because most of the world is of infinitely great roughness and complexity. However, the infinite sea of complexity includes two islands: one of Euclidean simplicity, and also a second of relative simplicity in which roughness is present, but is the same at all scales.
Benoit Mandelbrot
Do you think it interests me that this painting represents two figures? These two figures existed, they exist no more. The sight of them gave me an initial emotion, little by little their real presence grew indistinct they became a fiction for me, then they disappeared, or rather, were turned into problems of all kinds. For me they are no longer two figures but shapes and colours, don’t misunderstand me, shapes and colours, though, that sum up the idea of the two figures and preserve the vibration of their existence.
Pablo Picasso
Peake, Mervyn
Peale, Norman Vincent
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