Even though I am a great admirer of Maxfield Parrish's work, I sometimes have to admit that, over the years, I've just seen enough. Viewing the same works time and time again has made his art lose some of its spontaneity... it has become part of the cultural wallpaper; the equivalent of the art world's background noise.
But I have again discovered what beautiful noise it is... His painstaking technique and dramatic subject matter were, in my opinion, unparalleled and much of his vision still holds up against current illustrators and their methods.
--
David Middleton in "Parrish the Thought" in January Magazine (December 1998)Maxfield Parrish
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Maxfield Parrish was certainly one of our most prominent illustrators and hardly a home in America existed that didn’t have a Maxfield Parrish print. I’m an illustrator. Maxfield Parrish was a painter-illustrator. He was in the Golden Age of Illustration. When I was in art school I admired him. He was one of my gods.
Maxfield Parrish
However rationalistic his motives, Parrish's elaborately artificial methods give his pictures a good deal of aura and a surrealistic, even slightly hallucinogenic feeling, which puts an odd spin on the otherwise generically picturesque imagery and its cliched eulogizing of the rural past. If you discovered them unlabeled in the right contemporary gallery, you might mistake them for essays in postmodern duplicity. But Parrish himself was innocent of ironic intent, and the heartfelt romance and hard-won beauty of his calendar-art vision offers a gratifying break from late-modernist cynicism. What Parrish made may have been kitsch, but it was great kitsch.
Maxfield Parrish
Have you ever tasted stale popcorn? The only thing worse is stale vision. If a ministry loses the vision, it's only a matter of time before they lose what made them special in the first place. Without vision, the people will quickly lose it.
Craig Groeschel
Sound is defined as the result of a succession of regular and periodic vibrations. Noise is instead caused by motions that are irregular, as much in time as in intensity. 'A musical sensation,' says Helmholtz 'appears to the ear as a perfectly stable, uniform, and invariable sound.' But the quality of continuity that sound has with respect to noise, which seems instead fragmentary and irregular, is not an element sufficient to make a sharp distinction betweens sound and noise. We know that the production of sound requires not only that a body vibrate regularly but also thta these vibrations persist in the auditory nerve until the following vibration has arrived, so that the periodic vibrations blend to form a continous musical sound. At least sixteen vibrations per second are needed for this. Now, if I succeed in producing a noise with this speed. I will get a sound made up of the totality of so many noises--or better, noise whose successive repetitions will be sufficiently rapid to give a sensation of continuity like that of sound.
Luigi Russolo
"The framers discerned fundamental principles.... But our acceptance of the fundamental principles has not and should not bind us to those precise, at times anachronistic, contours. We current justices read the Constitution in the only way that we can: as 20th-century Americans... The ultimate question must be, what do the words of the text mean in our time? For the genius of the Constitution rests not in any static meaning it might have had in a world that is dead and gone, but in the adaptability of its great principles to cope with current problems and current needs. What the constitutional fundamentals meant to the wisdom of other times cannot be their measure to the vision of our time. Similarly, what those fundamentals mean for us, our descendants will learn, cannot be their measure to the vision of their time.
William J. Brennan
Parrish, Maxfield
Parry, Bruce
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