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He’s one of the most important, if not the most important, writers and artists ever to work in children’s literature. In fact, he’s a significant writer and artist in literature. Period.
--
Tony Kushner, quoted in "Concerns Beyond Just Where the Wild Things Are" by Patricia Cohen in The New York Times (9 September 2008)

 

Maurice Sendak

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The writer is an ordinary man, not a spokesman for the people, and that literature can only be the voice of one individual. Writing that becomes an ode to a country, the standard of a nation, the voice of a party... loses its nature—it is no longer literature. Writers do not set out to be published, but to know themselves. Although Kafka or Pessoa resorted to language, it was not in order to change the world. I, myself, believe in what I call cold literature: a literature of flight for one's life, a literature that is not utilitarian, but a spiritual self-preservation in order to avoid being stifled by society. I believe in a literature of the moment, for the living. You have to know how to use freedom. If you use it in exchange for something else, it vanishes.

 

Gao Xingjian

 

But she [Virginia Woolf] is impotently distant from an understanding of the proper relations between literature and society, because she has no clear sense of the functions of literature. She sees writers as individual 'artists' working in mysterious privacy - which from time to time society rudely invades. Her writer, indeed, has all the characteristics of traditional 'femininity' - with society as the big strong male who should protect and cherish his literary womenfolk, but does not. She might - for all the application of her complaint to the relations between society and literature - be talking of the relations between husbands and wives.

 

Laura Riding

 

He was undoubtedly the best critic, writer and biographer that the golden age of literature in our country have ever produced. An artist by temperament, he was a scholar in the truest sense, interested and well versed in all branches of human learning, not in the manner of present-day specialists who confine themselves in the limited branches of their chosen fields. He was also recognized as the most authoritative historian and interpreter of fruitful and transcendental events in our epoch, a researcher of the first order, a collector of rare and antique objects that are landmarks of Philippine culture. None could equal him in rigidness and perseverance and study of our past , even in search of our wealth of relevant and important data that enrich the sources for the study of national history and literature. He was also recognized as the foremost Filipino scholar of his time. -Rafael Palma

 

Epifanio de los Santos

 

I accept the fact that the important painting of the last hundred years was done in France. American painters have generally missed the point of modern painting from beginning to end... Thus the fact that good European moderns (European artists who lived in the U.S. because of the Nazi-regime, fh) are now here is very important, for they bring with them an understanding of the problems of modern painting. I am particularly impressed with their concept of the source of art being the unconscious. These idea interests me more than these specific artists do, for the two artists I admire most, Picasso and Miró, are still abroad.

 

Jackson Pollock

 

Literature is dialogue; responsiveness. Literature might be described as the history of human responsiveness to what is alive and what is moribund as cultures evolve and interact with one another.
Writers can do something to combat these clichés of our separateness, our difference — for writers are makers, not just transmitters, of myths. Literature offers not only myths but counter-myths, just as life offers counter-experiences — experiences that confound what you thought you thought, or felt, or believed.

 

Susan Sontag