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Life seems to be an experience in ascending and descending. You think you're beginning to live for a single aim — for self-development, or the discovery of cosmic truths — when all you're really doing is to move from place to place as if devoted primarily to real estate.
--
The Fiery Fountains (1951), part 1

 

Margaret Caroline Anderson

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For understanding the Prophecies, we are, in the first place, to acquaint our-selves with the figurative language of the Prophets. This language is taken from the analogy between the world natural, and an empire or kingdom considered as a world politic. Accordingly, the whole world natural consisting of heaven and earth, signifies the whole world politic, consisting of thrones and people, or so much of it as is considered in the Prophecy: and the things in that world signify the analogous things in this. For the heavens, and the things therein, signify thrones and dignities, and those who enjoy them; and the earth, with the things thereon, the inferior people; and the lowest parts of the earth, called Hades or Hell, the lowest or most miserable part of them. Whence ascending towards heaven, and descending to the earth, are put for rising and falling in power and honor: rising out of the earth, or waters, and falling into them, for the rising up to any dignity or dominion, out of the inferior state of the people, or falling down from the same into that inferior state; descending into the lower parts of the earth, for descending to a very low and unhappy estate; speaking with a faint voice out of the dust, for being in a weak and low condition; moving from one place to another, for translation from one office, dignity, or dominion, to another; great earthquakes, and the shaking of heaven and earth, for the shaking of kingdoms, so as to distract or overthrow them; the creating a new heaven and earth, and the passing away of an old one, or the beginning and end of the world, for the rise and ruin of the body politic signified thereby.

 

Isaac Newton

 

Not a single thing do I remember from the first trip but this: the sense of the place, the savor of the genie-soul of the place which every place has or else is not a place...there it is as big as life, the genie-soul of the place which, wherever you go, you must meet and master first thing or be met and mastered. (4.3)

 

Walker Percy

 

Mars Hill was inspired by a real place near where I live on the coast of Maine, a 100+ year old Spiritualist community called Temple Heights: little carpenter's gothic cottages tumbling down a hillside overlooking the sea, very picturesque and, tragically, very susceptible to the terrible development pressure that's bearing down on the small towns around here.
So far, however, the spiritualists seem to be winning out. After I wrote "Last Summer at Mars Hill", I visited the place formally and had a reading done by a psychic there. The place was exactly as I'd imagined it, as were its (human) inhabitants. I saw no evidence of supernatural ones, alas.

 

Elizabeth Hand

 

Where speculation ends — in real life — there real, positive science begins: the representation of the practical activity, of the practical process of development of men. Empty talk about consciousness ceases, and real knowledge has to take place. When reality is depicted, philosophy as an independent branch of activity loses its medium of existence. At the best its place can only be taken by a summing-up of the most general results, abstractions which arise from the observation of the historical development of men. Viewed apart from real history, these abstractions have in themselves no value whatsoever. They can only serve to facilitate the arrangement of historical material, to indicate the sequence of its seperate strata. But they by no means afford a recipe or schema, as does philosophy, for neatly trimming the epochs of history. On the contrary, our difficulties begin only when we set about the observation and the arrangement — the real depiction — of our historical material, whether of a past epoch or of the present.

 

Karl Marx

 

I know this place. ... Here it is on the chart. Look, it says here: "Continue until you come to the square of a walled town which is the end of the Camino Real and the beginning of the Camino Real. Halt there," it says, "and turn back, Traveler, for the spring of humanity has gone dry in this place...

 

Tennessee Williams