Two or three o’clock in the morning (in his studio, around 1911, in ‘La Ruche’ an old factory where many artists as Soutine, Archipenko, Léger, Modigliani had their studio, fh). The sky is blue. Dawn is breaking. Down there, a little way off, they slaughtered cattle, cows bellowed, and I painted them. I used to sit up like that all night long. It’s already a week since the studio was cleaned out. Frames, eggshells, empty two-sou soup tins lie about higgledy-piggledy.. ..On the shelves, reproductions of El Greco and Cézanne lay next tot the remains of a herring I had cut in two, the head for the first day, the tail for the next, and Thank God, a few crusts of bread.
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My life, Marc Chagall, 1922; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 29-30Marc Chagall
I got so depressed that I went to an astrologer.. ..everybody I knew was breaking up. Everything was falling apart. There was such an abundance of bad news (on his retreat to Captiva where he started his studio and a print studio, fh)
Robert Rauschenberg
"He chased us all round the studio and we had to lock ourselves into another studio to prevent him getting us. He was a big guy. He came in the following morning and he was alright. I think his management had had a word and said, ‘Look this album is going really well, it’s not a good idea to frighten the life out of people who are helping you make it’. He was quite pleasant, but he never apologised."
Martin Rushent
I sat in my studio and painted, and did not need Nature as a prompter (after 1921, when he painted the series ‘Abstrakter Kopf’ –abstract Head, fh). I only had to immerse myself in myself, pray, and prepare my soul to a state of religious awareness. I painted many, many ‘Faces’.
Alexej von Jawlensky
The audience is equally responsible for making Scary Movie 3 as the studio system is because as long as they continue to go see Fast and Furious 4, they're going to make it. You have to remember that studio heads went to NYU and stuff and film school and they wanted to make great films and were seduced by The Godfather and instead, this is the world that were in.
Natasha Lyonne
"My take on what happened with the moon landing was [......] they suspect [sic] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio."
Kent Hovind
Chagall, Marc
Chain, Ernst
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