Or is all this fuss actually important for << art history >>? Oh, no, never. If things only ever originated as a result of such competition (between subject- and subjectless art, fh) , it wouldn’t be worth living among them, like an accidental, capricious toy. Clearly there is a greater, a more serene and more modest power, but we are either too lazy to live by its laws, or we have no time, or it “hurts too much”.
--
a letter to A. N. Benois, 1918; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 150Marc Chagall
Like the old Indian proverb says, do not judge a man until you've walked 2 moons in his moccosins.
Most people don't know me, that is why they write such things in wich most is not true. I cry very very often because it hurts and I worry about the children, all my children all over the world, I live for them.
If a man could say nothing against a character but what he could prove, history could not be written.
Animals strike not from malice but because they want to live, it is the same with those who criticize, they desire our blood not our pain. But still I must achieve I must seek truth in all things. I must endure for the power I was sent forth, for the world for the children.
But have mercy, for I've been bleeding a long time now. MJ.Michael Jackson
I don’t know whether Napoleon did or did not try to get across there and I don’t care. I don’t know much about history, and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk. It's tradition. We don't want tradition. We want to live in the present and the only history that is worth a tinker's damn is the history we make today.
Henry Ford
If you believe that science and technology have given us the highest standard of living in history or that they have trapped us inside of a machine we can't escape from, we live in a situation we inherited, as a result of a long and complex series of events through history. At no time in the past could anybody have known that what they were doing then would end up like this now.
James (science historian) Burke
There is a wretched unbelief abroad which seems to contain much healing power. It deems such a connection accidental, and sees in it only a lucky conjunction of the different forces in the game of life. It thinks it an accident that the lovers win one another, accidental that they love one another; there are a hundred other women with whom the hero would have been equally happy, and whom he could have loved as deeply. It thinks that there has been many a poet who might have become as immortal as Homer, if this splendid subject had not already been appropriated by him; many a composer who might have made himself as immortal as Mozart, had the opportunity offered. ... The accidental has but one factor; it is accidental that Homer found in the Trojan War the most distinguished epic subject conceivable. The fortunate has two factors: it is fortunate that the most distinguished epic subject fell to the lot of Homer; here the accent falls as much on Homer as on the material. It is this profound harmony which reverberates through every work of art we call classic. And so it is with Mozart; it is fortunate that the subject, which is perhaps the only strictly musical subject, in the deeper sense, that life affords, fell to — Mozart.
Wolfgang Amadeus Mozart
We live in a time when automation is ushering in a second industrial revolution, and the powers of the atom are about to be harnessed for ever greater production. We live at a time when even the ancient spectre of hunger is vanishing. This is the age of abundance! Never in history has there been such an opportunity to show what we can do to improve the quality of living now that the old, terrible, grinding anxieties of daily bread, of shelter and raiment are disappearing.
Adlai Stevenson
Chagall, Marc
Chain, Ernst
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