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I am the owner of my shoulders, the tenant of my hips.

 

Malcolm de Chazal

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Large breasts are associated with feminine women, regardless of the slenderness of their hips. The capacity of a milk container cannot be told by its outside dimensions. Femininity is more accurately displayed by generous hips. Guess you can tell I favor women with big asses.

 

Anton LaVey

 

Lao Chiu's burns were so extensive that, with the exception of his scalp, two shoulders, the waist where his leather belt was worn and the soles of his feet, pratically his whole body was affected. His back and hips were burned deeply and his right leg was even worse. Every time it was necessary to turn him over and change his dressings ten doctors and five nurses were required and the process took several hours. Moreover, the patient suffered very much and was short of breath for a long while.

 

Ba Jin

 

Beckett shows death; his people are in dustbins or waiting for God. (Beckett will be cross with me for mentioning God, but never mind.) Similarly, in my play The New Tenant, there is no speech, or rather, the speeches are given to the Janitor. The Tenant just suffocates beneath proliferating furniture and objects — which is a symbol of death. There were no longer words being spoken, but images being visualized. We achieved it above all by the dislocation of language. … Beckett destroys language with silence. I do it with too much language, with characters talking at random, and by inventing words.

 

Eugene Ionesco

 

Elvis had a center of gravity that was low, but also set back and deep; his sexiest moves – legs lolling back and forth, smooth like jelly, hips rolling and tossing everywhere – were performed as if there were a paperweight on a string tied around his waist, and hung from his lower back; with his own weight adjusted to the back, he could free one leg to twist, pop, and jerk while maintaining perfect balance; Elvis’ glory was in the shifting of his weight; when he gets going fast, the force of the shifts make his shoulders jerk so hard he looks like he is being electrocuted.

 

Elvis Presley

 

Modern man is weighed down more by the burden of responsibility than by the burden of sin. We think him more a savior who shoulders our responsibilities than him who shoulders our sins. If instead of making decisions we have but to obey and do our duty, we feel it as a sort of salvation.

 

Eric Hoffer