I always admired the God-given glory of his voice — that unmistakable special timbre from the bottom up to the very top of the tenor range. ... I also loved his wonderful sense of humor.
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Placido DomingoLuciano Pavarotti
» Luciano Pavarotti - all quotes »
Elvis Presley`s talent as a musical artist was double barrelled and more; his voice, on the one hand, was extraordinary for its quality, range and power, as well as being a unique stage performer with instinctive natural abilities in both areas; he was the master of a wide and diverse range of vocal stylings and ventriloquist effects, from the clear tenor of his C&W heroes, to the vibrato of the Gospel singers he loved, his voice invariably possessing an aching sincerity and an indefinable quality of yearning virtually impossible to pigeonhole.
Elvis Presley
I have seen the very bottom of life: I was so afraid I wouldn’t be funny anymore. I just knew that I would lose my zaniness and my sense of humor. But I didn’t. Recovery turned out to be a wonderful thing.
Ann Richards
In 1956, even the youngest of his fans knew that the 21-year-old Elvis Presley was unquestionably the whole package; and, obviously, his great three octave tenor voice, with a lower register close to bass, seemed to vibrate on the inner scale of every teenager in America; they loved the high tenor, but when he "got down" with that lower register, fans exploded; Elvis translated this into his moves on stage, so it was a 10.0 assault on the senses.
Elvis Presley
The Rev. Moon has a very good sense of humor. It's hard for me to think of a person as being mean or brainwashing people with the sense of humor he has. He truly loves people. I mean, he likes being with them. He likes being kidded-he likes being teased. I never saw a mean act on his part. He never asked for special treatment. He mopped floors and cleaned tables, and he helped other people when he was finished with his job.
Sun Myung Moon
Elvis Presley has been described variously as a baritone and a tenor. An extraordinary compass- the so-called register-, and a very wide range of vocal color have something to do with this divergence of opinion. The voice covers two octaves and a third, from the baritone low-G to the tenor high B, with an upward extension in falsetto to at least a D flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down. Call him a high baritone. In "It's'now or never", (1960), he ends it in a full voice cadence (A, G, F), that has nothing to do with the vocal devices of R&B and Country. That A-note is hit right on the nose, and it is rendered less astonishing only by the number of tracks where he lands easy and accurate B-flats. Moreover, he has not been confined to one type of vocal production. In ballads and country songs he belts out full-voiced high G's and A's that an opera baritone might envy. He is a naturally assimilative stylist with a multiplicity of voices - in fact, Elvis' is an extraordinary voice, or many voices.
Elvis Presley
Pavarotti, Luciano
Paves, Ken
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