A real book reads us. I have been read by Eliot's poems and by Ulysses and by Remembrance of Things Past and by The Castle for a good many years now, since early youth. Some of these books at first rejected me; I bored them. But as I grew older and they knew me better, they came to have more sympathy with me and to understand my hidden meanings. Their nature is such that our relationship has been very intimate. No literature has ever been so shockingly personal as that of our time — it asks every question that is forbidden by polite society.
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"On the Modern Element in Modern Literature," Partisan Review (January/February 1961); reprinted as "On the Teaching of Modern Literature," Beyond Culture (1965)Lionel Trilling
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What I’m getting at, among other things, is that Eliot is masterly in execution, but above and beyond that is that extra something of singular genius of which I would say: perhaps one improves by reading these books — or, these books have the power to invigorate. I recently re-read Eliot’s Felix Holt, The radical. This book has been very well translated into Dutch. I hope you know it — if you don’t know it, see if you can’t get hold of it somewhere. There are certain ideas about life in it that I find outstanding — profound things said in a plain way — it’s a book written with great spirit, and various scenes are described exactly as Frank Holl or someone like him would draw them. It’s a similar conception and outlook. There aren’t many writers who are as thoroughly sincere and good as Eliot.
George Eliot
Craft is something you learn by studying models.When a student asks, what is a good book about traditional iambic verse, The Collected Poems of Ben Jonson. What is an excellent book about free verse? The Collected Poems of William Carlos Williams. What is a good book about short line in ballad metre? The Collected Poems of Emily Dickinson.
Robert Pinsky
I have read half your book thro' and I am immensely charmed by it. But some things I disagree with and more I do not understand. This does not apply to the characters, but to your conclusions, e.g. you say "women are more sympathetic than men." Now if I were to write a book out of my experience I should begin Women have no sympathy. Yours is the tradition. Mine is the conviction of experience. I have never found one woman who has altered her life by one iota for me or my opinions. Now look at my experience of men. A statesman, past middle age, absorbed in politics for a quarter of a century, out of sympathy with me, remodels his whole life and policy — learns a science the driest, the most technical, the most difficult, that of administration, as far as it concerns the lives of men, — not, as I learnt it, in the field from stirring experience, but by writing dry regulations in a London room by my sofa with me. This is what I call real sympathy.
Florence Nightingale
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation. It's heart-breaking how often I have to say when I'm giving talks, "This book is out of print. This book is out of print." It's a roll call of dead books.
Doris Lessing
Lending a favorite book has its risks; the borrower may not like it. I still don’t know a better novel than Crime and Punishment—still, every fourth or fifth borrower returns it unfinished: it depresses him; besides that, he didn’t believe it. More borrowers than this return the first volume of Remembrance of Things Past unfinished: they were bored. There is no book you can lend people that all of them will like.
Randall Jarrell
Trilling, Lionel
Trittin, Jurgen
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