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Dodgson’s stammer was a good deal under control and could be used defensively (to gain time), or rhetorically to enhance the effect of a story, when the point was near.
--
John Alexander Stewart, senior student at Christ Church; quoted by Edward Wakeling

 

Lewis Carroll

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It is a matter of course and of absolute necessity to the conduct of business, that any discretionary businessman must be free to deal or not to deal in any given case; to limit or withhold the equipment under his control, without reservation. Business discretion and business strategy, in fact, has no other means by to work out its aims. So that, in effect, all business sagacity reduces itself in the last analysis to judicious use of sabotage.

 

Thorstein Veblen

 

"The perfect ghost story is the story of Possession," he said, "and that is hypnotism from beyond the grave. This is possible since hypnotism is by the will, and the will is immortal. A number of notable men have been possessed, and all of their lives seem to fit a pattern: the inconsequential early years, the hiatus when they stood where Faust stood, and the decision. And then the rise to power and influence and almost universal honor after they have made the deal. But it is not themselves, it is the devils within them that gain these things. They are the possessed men who do much of the running of the world, and theirs is the most frightening story that can be imagined. But those who watch the great men do not know that they are shells inhabited by ghosts."

 

R. A. Lafferty

 

He made his point well; but he made it too often. And an attack of that kind, personal and savage in its nature, loses its effect when it is evident that the words have been prepared. A good deal may be done in dispute by calling a man an ass or a knave, — but the resolve to use the words should have been made only at the moment, and they should come hot from the heart.

 

Anthony Trollope

 

I don't believe authors need to keep any specific values or ideas in mind while they are writing for children, but I do think authors need to be aware of their audience, and of the effect their work may have. So if they want to address particularly sensitive topics or taboos, they have to do so consciously and carefully. This is very different to toeing a particular moral line or leaving things out.
Certainly I don't think good always has to triumph over evil; it depends on the story and the aims of the book. For example, I could envisage telling a story where the inaction of people leads to the triumph of evil. But I would include the hope that this would lead to the people involved doing better next time. Is that story then really about the triumph of evil, or is it about the awakening of opposition to evil?

 

Garth Nix