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I have seen motions of the air so furious that they have carried, mixed up in their course, the largest trees of the forest and whole roofs of great palaces, and I have seen the same fury bore a hole with a whirling movement digging out a gravel pit, and carrying gravel, sand and water more than half a mile through the air.

 

Leonardo da Vinci

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The technique used heavy, spiky pastes made of nothing other than ordinary oil paint, used thick and mixed with sand and gravel. I some cases – but these were the exception – a few miscellaneous objects were stuck into the wet paint, such as bits of string or little pieces of glass or mirror. (remark on his technique Dubuffet used in his series Hautes Pâtes, exhibited in 1946, fh)

 

Jean Dubuffet

 

If there are no sandpits from which it can be dug, then we must sift it out from river beds or from gravel or even from the sea beach. This kind however has these defects when used in masonry: it dries slowly... and such a wall cannot carry vaultings. Furthermore, when sea-sand is used in walls and these are coated with stucco, a salty efflorescence is given out which spoils the surface.

 

Vitruvius

 

I had this very interesting experience when I was about 13. I went to Finland and it was dead in the middle of winter. It was freezing cold. There was so much snow and I went to Ainola, which is Sibelius' house. It was completely isolated -- just snow and forest, trees and the lake, completely beautiful but very quiet. And very serene. And I thought, well, this is where he was composing his stuff. And his great symphonies and the violin concerto, this is where it basically came from. I also got this little handbook about Ainola and there's a part that says that Sibelius wouldn't allow running water in his house because it disturbed him and his thought processes. So his daughters had to go out to the well which was half a mile away and then bring back water. So I thought, "Wow!" This person was really that much into control and silence. So you go and look at the concerto after that and the way it starts in the beginning: very shimmery. Very beautiful. But in a way it is isolated, and you feel kind of lonely when you're playing that. And gradually of course it builds up into this great big climax when every single orchestra-like instrument known to mankind is clashing and you're trying to break out there and you're trying to play your heart out. But really it did help me realize what he is like.

 

Sarah Chang

 

Literature is a vast forest and the masterpieces are the lakes, the towering trees or strange trees, the lovely eloquent flowers, the hidden caves, but a forest is also made up of ordinary trees, patches of grass, puddles, clinging vines, mushrooms and little wildflowers.

 

Roberto Bolano

 

The harmony of music exists equally with the harmony of movement in nature.
Man has not invented the harmony of music. It is one of the underlying principles of life. Neither could the harmony of movement be invented: it is essential to draw one’s conception of it from Nature herself, and to see the rhythm of human movement from the rhythm of water in motion, from the blowing of the winds on the world, in all the earth’s movements, in the motions of animals, fish, birds, reptiles, and even in primitive man, whose body still moved in harmony with nature…..All the movements of the earth follow the lines of wave motion. Both sound and light travel in waves. The motion of water, winds, trees and plants progresses in waves. The flight of a bird and the movements of all animals follow lines like undulating waves. If then one seeks a point of physical beginning for the movement of the human body, there is a clue in the undulating motion of the wave.

 

Isadora Duncan