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You are white —
yet a part of me, as I am a part of you.
That’s American.
Sometimes perhaps you don’t want to be a part of me.
Nor do I often want to be a part of you.
But we are, that’s true!
As I learn from you,
I guess you learn from me —
although you’re older — and white —
and somewhat more free.
--
"Theme from English B"

 

Langston Hughes

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Man is not supposed to make life. Only God can make a tree. Why should you make a living organism? You should make images of living organisms. It seems presumptuous to attempt to make a thing which breathes and pulsates right there by itself. It’s unnatural. What’s inhuman about it is, the human way to create, I think, the way we see, from part to part. You do this and then you do that, then you do that and that. Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where even though you naturally have to paint, after all a painting is only a painting, the painting is always saying, what do you want from me, I can only be a painting, you have to go from part to part, but you shouldn’t see yourself go from part to part, that’s the whole point That’s some kind of a leap.. ..I’m describing the process of painting.

 

Phillip Guston

 

And you can't part a boy from his father,
You can't part a boy from his dad,
You can't part a Scotchman from money
No matter how many he's had.
You can't part the skin of a sausage
Or a dad from his fond son and heir,
And you can't part the hair on a bald-headed man
For there'll be no parting there.

 

Billy Bennett

 

I keep my mind on it. That's the whole trick, in so far as stage experience goes; keeping right there every second. If I think of anything else for a flash, I'm gone, done for. But at the same time, one can take things in — with another part of your brain, maybe. It's different from what you get in study, more practical and conclusive. There are some things you learn best in calm, and some in storm. You learn the delivery of a part only before an audience.

 

Willa Cather

 

We see a friend’s eye as one and indivisible. A stranger’s eye we take in part by part: the white, the iris, and the pupil.

 

Malcolm de Chazal

 

Man seems to play a very insignificant part in the universe, and my part is surely negligible. The question confronting me is not, except perhaps in idle moments, what part might be more amusing, but what I wish to make of my part. And what I want to do and would advise others to do is to make the most of it: put into it all you have got, and live and, if possible, die with some measure of nobility.

 

Walter (philosopher) Kaufmann