Tuesday, December 24, 2024 Text is available under the CC BY-SA 3.0 licence.

Klayton

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"My first musical memory? It’s probably my grandfather sticking headphones on my head. He had a music room that was huge. He probably had two or three thousand records, you know what I mean, vinyl. My grandfather was a music buff, and I credit my affinity towards music to him. But I remember him sticking on the song 'Popcorn'. It’s a record called 'Popcorn', and it’s this quirky little disco melody that is stuck in my head to this day."

 
Klayton

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"Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for--they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad."

 
Afrika Bambaataa
 

Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for]]— they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad.

 
DJ Kool Herc
 

Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records. The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on.

 
Grandmaster Flash
 

"We have all been affected as composers, as teachers, as musicians by recordings to an extent that cannot possibly be calculated as yet or predicted for the future. The music which is being most widely disseminated and most widely discussed, and therefore most widely imitated and influential, is that music which is available on records. The music that is only published is very little known. I don't think one can possibly exaggerate the extent to which the climate of music today is determined by the fact that the total Webern is available on records, that the total Schoenberg is becoming available." Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

 
Milton Babbitt
 

Here is music turned deliberately inside out in order that nothing will be reminiscent of classical opera, or have anything in common with symphonic music or with simple and popular musical language accessible to all...Here we have "leftist" confusion instead of natural human music. The power of good music to infect the masses has been sacrificed to a petty-bourgeois, "formalist" attempt to create originality through cheap clowning. It is a game of clever ingenuity that may end very badly.

 
Dmitri Shostakovich
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