"I can’t say (publicly releasing demos) affected my work but it’s certainly a view into my world I would have never been willing to share a few years ago. I hated my demos and wouldn’t let them out of my grasp. I think I finally stopped caring as much, because again the fans responded overwhelmingly when I mentioned the idea. So I did it right from the start of the Wish Upon A Blackstar chapters & the deluxe content has outsold just the standard 2 track release by a huge amount."
Klayton
"I decided to approach (the album Wish Upon A Blackstar) completely differently than any other work I’d done previously. Grant Mohrman (co-producer) and I brainstormed the process of how to make this monstrosity of an album, and we decided to try doing a few things differently – I would write demos AND we would track my vocals before doing anything else. Now this was completely ass-backwards to the way I am used to doing things. I generally start a musical idea and I keep revising and reworking it until it becomes something I like. The entire Celldweller debut album was written this way. I ALWAYS tracked vocals last. Partly because I wanted the music to inspire my vocal performance and partly because I haaaate cutting vocals. The idea this time around was the music would have to work with my voice instead of forcing my voice over the top of 180 tracks of audio. This made me uncomfortable which is why I agreed to do it."
Klayton
Major labels really have no interest in us. That's fine, I don't care, you know. A lot of them want us to do demos, but I refuse to do demos for a bunch of 24-year-old-little-morons who tell me what's wrong with my music.
Osborne,Buzz
"Instead of making people wait two years while I work on an album, then release the whole thing at once, I’m releasing two songs at a time. The next step after that is actually releasing the full disc. As of now there are eight songs towards the new album that have already been released over the last few years. Then, in a few months, the actual full-length CD will be pressed and it will include another four or five songs people haven’t heard yet. We’ve had a lot of success with that and that’s what my fanbase wants."
Klayton
"I programmed all the drums and synths, while he played all the guitars. The initial plan was just to demo his songs because he was out of his UA deal, so we pumped it to people like Island and Virgin and they loved it. It was signed to Island, but Simon Draper of Virgin heard it and called me to talk about their band, the Human League. They'd done demos of The Sound of the Crowd and Love Action in a Sheffield studio, but Simon didn't think they were getting the punch they needed. He loved the drums on Homosapien and asked me to do a track. So the band turned up at Genetic with their multi-track for The Sound of the Crowd. Simon had conned them and told them that I'd mix it! I said, 'We're going to start again and do it better'. There were a few grumbles, but by the time we'd finished, they were really pleased."
Martin Rushent
"Fans in Spain rate him very highly and I admire him a huge amount."
Paul Scholes
Klayton
Klee, Paul
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