"I知 doing it (the project/band Celldweller) for me because I need to exorcise my own demons. And I guess inadvertently, this is also presented in some kind of way that people feel like they can relate to what I知 saying and apply it to their own lives. If I were to sit there and write a song that was laid out, cut-and-dry as to exactly what it means, it really narrows the scope of who can apply that to themselves and maybe relate to it. I write for me and what makes sense in my own brain, and I知 certain that even the closest people around me don稚 even know what I知 talking about half the time, and that痴 fine."
Klayton
"I'm not a very personal person when I speak to someone one on one or in a group. I'm very internal, not that that's a very big deal, but for me I can be creative with what I want to say without casting the pearls before the swine. I write in an artistic way. Maybe someone can read what I write and interpret it as something else for themselves. It may not be literal. I write openly so I may be exorcising my demons but someone can exorcise their own, which can be completely different than I originally intended. That's how I like to relate to artists that I listen to. I didn't write this record for anybody but me, but in doing that I find people that relate to me."
Klayton
On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this..." I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.
Hilary Duff
[On 2 Live Crew] One song was 'Suck My Dick'. Not please. Not honey, do you have a minute? 'Suck My Dick'. Like soomething the Beatles coulda rolled out. "Hey, Jean, would you like to write 'Suck My Dick'?" "Well, I don't know, do we have time? Sounds like such a hard song to write." That was the song! 'Suck My Dick'! F**kin' album sold two million records with a song called "Suck My Dick"! Like the guy got up one morning and went, "you know, today I wanna write a song. Today I want to write a love song. I want to write a song that tells how a woman and a man feel when they meet each other for the first time and they fall in love; I want to put into words feelings that men have always had, but they've never been able to express. All right, I think I'll call this song..." [Pauses, then the audience yells "Suck My Dick"] Yeah. It's that song that's gonna be on that f**kin' Golden Oldie rap album in ten years... "Where were you when you heard 'Suck My Dick?'" Remember those old days?
Sam Kinison
"I'm glad for (the ability for people to buy a song without needing to buy the whole album), where an artist can't write a bad record. You can't write one hit song and nine bad ones and pawn a record off to people. Now they can download or buy one track at a time. Every song you write has to count. For me artistically, that's the way I always approach it. I don't put anything out on a record or release it to the public if I think it's crap."
Klayton
What I was actually trying to do in my early movies was show how people can meet other people and what they can do and what they can say to each other. That was the whole idea: two people getting acquainted. And then when you saw it and you saw the sheer simplicity of it, you learned what it was all about. Those movies showed you how some people act and react with other people. They were like actual sociological "For instance"s. They were like documentaries, and if you thought it could apply to you, it was an example, and if it didn't apply to you, at least it was a documentary, it could apply to somebody you knew and it could clear up some questions you had about them.
Andy Warhol
Klayton
Klee, Paul
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