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Klayton

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"As far as building songs, there is only one rule I adhere to - no rules. Could be a vocal idea, a guitar part. More generally it's a beat and a synth. I hate rock. I love electronic."

 
Klayton

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"The rules!" shouted Ralph, "you're breaking the rules!"
"Who cares?"
Ralph summoned his wits.
"Because the rules are the only thing we've got!"
But Jack was shouting against him.
"Bollocks to the rules! We're strong — we hunt! If there's a beast, we'll hunt it down! We'll close in and beat and beat and beat — !"

 
William Golding
 

Back around 1971, I was playing in a bar in Chicago one night, and after the show, I was packing up my guitar and stuff, and I was walking out the door, and a little guy stopped me. And he said, "Arlo, before you leave, I wanna sing you a song." I said "Come on man, I don't wanna hear no songs. I hate songs. I don't even like my songs! Why should I like your songs?" I was just tired, I wanted to get out of there, I was being a butt-head. He said, "Arlo, I just wanna sing you one song." I said, "Tell you what. Buy me beer. I'll sit here and drink it. As long as it lasts, you can do whatever you want." He said, "That sounds like a good deal. I said "It does?" It turned out to be one of the finer beers of my entire life.

 
Arlo Guthrie
 

"I just let everybody else decide for me what Celldweller sounds like. I love electronic music. I love technology. I love aggressive guitars and bass. I love live drums. I love lush vocal melodies. I love sensual atmospheres. The list goes on. I suppose Celldweller is some amalgam of all of these and then some."

 
Klayton
 

Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free.

 
Tom Robbins
 

On his live versions of songs like "How Great Thou Art" (1975), "Unchained Melody" (1976) and "Hurt" (1977), you will be able to hear how high he can go; but, it is essentially on "What Now My Love" (sang live at his "Aloha from Hawaii" global telecast, which reached 1 billion viewers when first aired in 1973), where he goes up three octaves at the end of the song, that you can really hear his true vocal power.

 
Elvis Presley
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