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Almost all great painters in old age arrive at the same kind of broad, simplified style, as if they wanted to summarise the whole of their experience in a few strokes and blobs of colour.
--
Ch. 13: Degas

 

Kenneth Clark

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Some painters, including myself, do not care what chair they are sitting on. It does not even has to be a comfortable one. They are too nervous to find out were they ought to sit. They do not want to ‘sit in style’. Rather they have found that painting – any kind of painting, any style of painting – to be painting at all, in fact – a style of living, so to speak. That is where the form of it lies. It is exactly in its uselessness that it is free. Those artists don’t want to conform. They only want to be inspired.

 

Willem de Kooning

 

I wanted adventures. I wanted to go up the Nung river to the heart of darkness in Cambodia. I wanted to ride out into a desert on camelback, sand and dunes in every direction, eat whole roasted lamb with my fingers. I wanted to kick snow off my boots in a Mafiya nightclub in Russia. I wanted to play with automatic weapons in Phnom Penh, recapture the past in a small oyster village in France, step into a seedy neon-lit pulqueria in rural Mexico. I wanted to run roadblocks in the middle of the night, blowing past angry militia with a handful of hurled Marlboro packs, experience fear, excitement, wonder. I wanted kicks – the kind of melodramatic thrills and chills I’d yearned for since childhood, the kind of adventure I’d found as a little boy in the pages of my Tintin comic books. I wanted to see the world – and I wanted the world to be just like the movies.

 

Anthony Bourdain

 

In 1942 when I was in New York, I was struck by the neon advertisements flashing all over Broadway. You are there, you talk to someone, and all of a sudden he turns blue. Then the colour fades - another one comes and turns him red or yellow. The colour – the colour of neon advertising is free; it exists in space. I wanted to do the same in my canvases.

 

Fernand Leger

 

It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.

 

Sergei Prokofiev

 

One has no notion of him as making use of a fine pen, but a great mutton-fist; his style stuns his readers…He is too much for any single newspaper antagonist; "lays waste" a city orator or Member of Parliament, and bears hard upon the Government itself. He is a kind of fourth estate in the politics of the country. He is not only unquestionably the most powerful political writer of the present day, but one of the best writers in the language. He speaks and thinks plain, broad, downright English.

 

William Cobbett