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It is important to realize that the exercise of any skill depends on the ability to create an abstract system of some kind out of the totality of the world around us. For instance, the carpenter is not interested in wood as a biological or chemical entity. He is sensitive to many of its grosser physical properties but not to many subtler ones. The wood of a carpenter is not the real — that is, the complete substance — but merely wood as a material on which the carpenter can exercise his skill.
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p.9

 

Kenneth Boulding

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Our whole tradition has trained us to think always of God as being outside the world and shaping its dead material in some form. But upon making a general survey of creation myths, we see that this type of God mirrors a rare and specific situation; it mirrors a state where consciousness has already markedly withdrawn, as an independent entity, out of the unconscious and therefore can turn toward the rest of the material as if it were its dead object. It also already shows a definite separation between subject and object; God is the subject of the creation and the world, and its material is the dead objects with which he deals. Naturally we must correct this viewpoint by putting it into its right context, namely, that the craftsman in primitive societies never imagined himself to be doing the work himself. Nowadays if you watch a carpenter or a smith, he is in a position to feel himself as a human being with independent consciousness, who has acquired from his teacher a traditional skill with which he handles dead material. He feels that his skill is a man-made possession, which he owns. If we look at the folklore and mythology of the different crafts in more primitive societies, we see that they have a much more adequate view of it. They all still have tales which show that; man never invented any craft or skill, but that it was revealed to him, that it is the Gods who produced the knowledge which man now uses if he does anything practical.

 

Marie-Louise Von Franz

 

You are axes, in a world of wood. And the wood remembers when it has been cut, even if the axe forgets.

 

John Amaechi

 

Already when I speak I need my own body, the physical flesh – it is a kind of clay to inform into – and I need my lungs, I need my tools here, existing in my anatomy; I need the physical conditions of other forms of life, in my brother or my sister. I must at once eliminate discussions, interpretations.. ..So, that is the second part of the problem; that the language, the thinking on the problem is a more important sculpture even than the end of the process existing in tools or in paintings, or in drawings, or in carvings. This transcendent character of information, in an invisible world, gives us at the same time the proof.. ..that we are not only biological beings, material beings, but first spiritual beings, not existing on this planet – that we are only partly existing on this planet – and being involved in wood, in felt, in fat, in iron, in rubber( the materials Beuys used a lot in his ‘sculptural work’, fh) or whatever resources of this planet.

 

Joseph Beuys

 

The saws are sawing wood, But wood is also sawing the saws...The wood sawn into boards is fashioned into furniture. Saws just break and are discarded.

 

Liu Shahe

 

The Church's approach to an intelligent carpenter is usually confined to exhorting him not to be drunk and disorderly in his leisure hours, and to come to church on Sundays. What the Church should be telling him is this: that the very first demand that his religion makes upon him is that he should make good tables. Church by all means, and decent forms of amusement, certainly—but what use is all that if in the very center of his life and occupation he is insulting God with bad carpentry? No crooked table legs or ill-fitting drawers ever came out of the carpenter's shop at Nazareth. Nor, if they did, could anyone believe that they were made by the same hand that made Heaven and earth.

 

Dorothy L. Sayers