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Keith Waterhouse

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The 50s face was angry, the 60s face was well-fed, the 70s face was foxy. Perhaps it was the right expression: there was a lot to be wary about.
--
The Observer Magazine, December 30, 1979

 
Keith Waterhouse

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When one reads any strongly individual piece of writing, one has the impression of seeing a face somewhere behind the page. It is not necessarily the actual face of the writer. I feel this very strongly with Swift, with Defoe, with Fielding, Stendhal, Thackeray, Flaubert, though in several cases I do not know what these people looked like and do not want to know. What one sees is the face that the writer ought to have. Well, in the case of Dickens I see a face that is not quite the face of Dickens's photographs, though it resembles it. It is the face of a man of about forty, with a small beard and a high colour. He is laughing, with a touch of anger in his laughter, but no triumph, no malignity. It is the face of a man who is always fighting against something, but who fights in the open and is not frightened, the face of a man who is generously angry — in other words, of a nineteenth-century liberal, a free intelligence, a type hated with equal hatred by all the smelly little orthodoxies which are now contending for our souls.

 
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He lies on top of her, sweating, taking great breaths, watching her face turned 3/4 away, not even a profile, but the terrible Face That is No Face, gone too abstract, unreachable: the notch of the eye socket, but never the labile eye, only the anonymous curve of cheek, convexity of mouth, a noseless mask of the Other Order of Being, of Katje's being — the lifeless non-face that is the only face of hers he really knows, or will ever remember.

 
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Your face is that of a child, but your expression is hard at the same time. It changes from one to the other in an instant. I have never seen such a face.

 
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There’s plenty of rude stuff online. People say things online that they would be ashamed to say face to face. If people could treat others as though they were speaking face to face, that would be huge.

 
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The great man folded his palms and bowed all around him. He had one of those either/or faces that all great Indian politicians have. This face says that it is now at peace—and you can be at peace too if you follow the owner of that face. But the same face can also say, with a little twitch of its features, that it has known the opposite of peace and it can make this other face yours too, if it wishes.

 
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