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I don't know how everyone else feels, but I'm exhausted.
--
Quoted September 05, 1995, on playing in his 2,130th consecutive game equaling Lou Gehrig's record; The Baseball Timeline, Burt Solomon, p. 1018

 

Jr. Ripken

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I expect that Hell is very heavily populated with just exactly that sort of person [who feels he's accomplished all his goals early in life] because, you know, somebody who fears that he has exhausted what there is for him to do and what he can do at thirty-five, is a fool. What he means is that he's become the sales manager of International Widgets or some wretched thing. That's not a life, that's not a thing that should occupy a man. People drive themselves terribly hard at these jobs, and they develop a sort of mystique about something which does not admit of a mystique. A thing to have a mystique must necessarily have many aspects, many corridors, many avenues, many things that open up. Well, this is not to be found in the business world, and I've known a lot of first-class businessmen and they all tell you this. People have told me that in their particular business there's nothing to be learned that an intelligent man can't learn in eighteen months. But if you've learned it in eighteen months and if you're exhausted by the time you're thirty-five, it's nobody's fault but your own if you haven't found something else to do.

 

Robertson Davies

 

I wanted to make the movie feel like life feels to me — and life feels both sad and dark and confusing and more than hopeful — it feels like something totally incredible could happen at any moment and with no explanation.

 

Miranda July

 

So please don't think that I am renouncing anything, I am reasonably faithful in my unfaithfulness and though I have changed, I am the same, and what preys on my mind is simply this one question: what am I good for, could I not be of service or use in some way, how can I become more knowledgeable and study some subject or other in depth? That is what keeps preying on my mind, you see, and then one feels imprisoned by poverty, barred from taking part in this or that project and all sorts of necessities are out of one's reach. As a result one cannot rid oneself of melancholy, one feels emptiness where there might have been friendship and sublime and genuine affection, and one feels dreadful disappointment gnawing at one's spiritual energy, fate seems to stand in the way of affection or one feels a wave of disgust welling up inside. And then one says “How long, my God!”

 

Vincent van Gogh

 

So please don't think that I am renouncing anything, I am reasonably faithful in my unfaithfulness and though I have changed, I am the same, and what preys on my mind is simply this one question: what am I good for, could I not be of service or use in some way, how can I become more knowledgeable and study some subject or other in depth? That is what keeps preying on my mind, you see, and then one feels imprisoned by poverty, barred from taking part in this or that project and all sorts of necessities are out of one's reach. As a result one cannot rid oneself of melancholy, one feels emptiness where there might have been friendship and sublime and genuine affection, and one feels dreadful disappointment gnawing at one's spiritual energy, fate seems to stand in the way of affection or one feels a wave of disgust welling up inside. And then one says “How long, my God!”

 

Vincent Van Gogh

 

I use the words gods and goddesses principally, I think, to mean beautiful bodies — bodies that are absolute instruments. And I believe in discipline, I believe in a very definite technique. You have no right to go before a public without an adequate technique, just because you feel. Anything feels — a leaf feels, a storm feels — what right have you to do that? You have to have speech, and it's a cultivated speech.

 

Martha Graham