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The greatest natural genius cannot subsist on its own stock: he who resolves never to ransack any mind but his own, will be soon reduced, from mere barrenness, to the poorest of all imitations; he will be obliged to imitate himself, and to repeat what he has before often repeated. When we know the subject designed by such men, it will never be difficult to guess what kind of work is to be produced.
--
Discourse no. 6; vol. 1, p. 158.

 

Joshua Reynolds

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The summer of 2000 was a real turning point for me, and I kind of got my act together and laid the bottle down and got to work, and really last five years have been the greatest five years of my life, personally and then -- as a result of that, I guess -- professionally. Six months after that, I met Amy [Poehler]. We had sort of met before, but we started dating. From the moment we met, it was the greatest thing that ever happened to me. It was great. We didn't know what we were doing, and all of a sudden she got SNL, so we kind of decided that I guess I had to move to New York; otherwise it wasn't going to work out. So I moved back to New York and it was the greatest. It was great. Probably the best thing that's ever happened to me is Amy.

 

Will Arnett

 

"It is difficult to explain why I cherish a greater imagination for him than any other player live or dead. … And yet Capablanca shoulders them all out of my mind when I am thinking of natural genius. The secret perhaps lies in Euwe's description of him as "the elegant". His easy natural grace of play was extraordinarily pleasant to watch, though very difficult to rival and not so easy to understand." — Harry Golombek "World Champions I have Met."

 

Jose Raul Capablanca

 

Variety is as abundant as all tones of the voice, all ways of walking, coughing, blowing the nose, sneezing. We distinguish vines by their fruit, and call them the Condrien, the Desargues, and such and such a stock. Is this all? Has a vine ever produced two bunches exactly the same, and has a bunch two grapes alike? etc. I can never judge of the same thing exactly in the same way. I cannot judge of my work, while doing it. I must do as the artists, stand at a distance, but not too far. How far, then? Guess. 114

 

Blaise Pascal

 

I am aware that the great Plato himself, and after him, a man posterior to him in date, though not in mind, I mean Iamblichus of Chalcis (who initiated us into other branches of philosophy, and also into this by means of his discourses), did both of them as far as hypothesis goes, take for granted the fact of a Creation and assumed the universe to have been, in a certain sense, the Work of Time, in order that the most important of the effects produced by this Power, may be reduced into a shape for examination. … On the same subject you will obtain more complete and more abstruse information by consulting the works upon it composed by the divine Iamblichus: you will find there the extreme limit of human wisdom attained. May the mighty Sun grant me to attain to no less knowledge of himself, and to teach it publicly to all, and privately to such as are worthy to receive it: and as long as the god grants this to us, let us consult in common his well-beloved Iamblichus; out of whose abundance a few things, that have come into my mind, I have here set down. That no other person will treat of this subject more perfectly than he has done, I am well aware; not even though he should expend much additional labour in making new discoveries in the research; for in all probability he will go astray from the most correct conception of the nature of the god.

 

Iamblichus of Chalcis

 

Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. ... The theory of special genius, according to which for instance, it is supposed that a musical genius should be a fool at other subjects, confuses genius with talent. ... There are many kinds of talent, but only one kind of genius, and that is able to choose any kind of talent and master it.

 

Otto Weininger