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Extremes of fantastic hope and skepticism paradoxically coexist in Borges' thought. In "Pascal's Sphere" he examines an image which is not only paradoxical in itself — the universe as an infinite sphere, in other words, a boundless form perfectly circumscribed — but which has also served to express diametrically opposite emotions: Bruno's elation and Pascal's anguish. But the other basic symmetry to note here is Borges' history of the metaphor. Not only paradoxes are found throughout this collection, but also various listings of ideas or themes or images which though diverse in origin and detail are essentially the same. In "The Flower of Coleridge" the coincidence of Valéry's, Emerson's, and Shelley's conceptions of all literature as the product of one Author seems itself to bear out that conception. At the beginning of the essay on Hawthorne, Borges again briefly traces the history of a metaphor — the likening of our dreams to a theatrical performance — and adds that true metaphors cannot be invented, since they have always existed. Such "avatars" point beyond the flux and diversity of history to a realm of eternal archetypes, which, though limited in number, "can be all things for all people, like the Apostle." While the paradox upsets our common notions of reality and suggests that irreducible elements are actually one, recurrence negates history and the separateness of individuals. Of course, this too is a paradox, as "New Refutation of Time" shows: time must exist in order to provide the successive identities with which it is to be "refuted." The two symmetries noted above, if we pursue their implications far enough, finally coalesce, with something of the same dizzying sense, so frequent in Borges' stories, of infinite permutations lurking at every turn. Both are uses of what he calls a pantheist extension of the principle of identity — God is all things: a suitably heterogeneous selection of these may allude to Totality — which has, as he notes in the essay on Whitman, unlimited rhetorical possibilities.
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James Irby in the Introduction to Other Inquisitions 1937-1952 (1952) as translated by Translated by Ruth L. C. Simms (1964)

 

Jorge Luis Borges

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"Is that true," I asked, "that song?"
"It is a metaphor," said Mrs. Davis, "it has metaphorical truth."
"And the end of the mechanical age," I said, "is that a metaphor?"
"The end of the mechanical age," said Mrs. Davis, "is in my judgment an actuality straining to become a metaphor. One must wish it luck, I suppose. One must cheer it on. Intellectual rigor demands that we give these damned metaphors every chance, even if they are inimical to personal well-being and comfort. We have a duty to understand everything, whether we like it or not–a duty I would scant if I could." At that moment the water jumped into the boat and sank us.

 

Donald Barthelme

 

The fashionable ideology that "artificial" lacks the inherent goodness of "natural" is an appealing, but hopelessly simplistic notion of the intellectually chic. Artifice is the result of a deliberate intent to make. Nature also "makes" things, using a set of basic building blocks common throughout the universe. Exchanging infinite time for deliberate design, nature has ingeniously built plants, planets, galaxies and unimaginable constructs which seem to structure the universe itself. What we call "natural" is simply the result of whatever set of rules nature has followed in fashioning our observable reality. On planet Earth, nature has manipulated the common elements to fashion everything from bacteria to the molten core of the planet. Discoveries in the "nano" technologies of bio, molecular, and micro engineering will re-edit the nomenclature of "natural" versus "unnatural", blurring if not erasing the line of distinction between "machine" and "organism", "natural" and "unnatural", "God-given" and "man-made".

 

Syd Mead

 

The Pythagoreans called the monad "intellect" because they thought that intellect was akin to the One; for among the virtues, they likened the monad to moral wisdom; for what is correct is one. And they called it "being," "cause of truth," "simple," "paradigm," "order," "concord," "what is equal among the greater and the lesser," "the mean between intensity and slackness," "moderation in plurality," "the instant now in time," and moreover they call it "ship," "chariot," "friend," "life," "happiness."

 

Iamblichus of Chalcis

 

The guy that was standing said, "We don't want you here."
Reacher said, "You're confusing me with someone who gives a shit what you want."
"You won't get served in here."
"Won't I?"
"Not a hope."
"You could order for me."
"And then what?"
"Then I could eat your lunch."

 

Lee Child

 

"You hear your fate," said the Sphere to me, while the Council was passing for the third time the formal resolution. "Death or imprisonment awaits the Apostle of the Gospel of Three Dimensions." "Not so," replied I, "the matter is now so clear to me, the nature of real space so palpable, that methinks I could make a child understand it. Permit me but to descend at this moment and enlighten them." "Not yet," said my Guide, "the time will come for that. Meantime I must perform my mission. Stay thou there in thy place." Saying these words, he leaped with great dexterity into the sea (if I may so call it) of Flatland, right in the midst of the ring of Counsellors. "I come," cried he, "to proclaim that there is a land of Three Dimensions."

 

Edwin Abbot