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Any time I make a record it's followed by a painting period. It's good crop rotation.

 

Joni Mitchell

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An English farmer looks not merely to the present year's crop. He considers what will be the condition of the land when that crop is off; and what it will be fit for the next year. He studies to use his land so as not to abuse it. On the contrary, his aim is to get crop after crop, while still the land shall be growing better and better. If he should content himself with raising from the soil a large crop this year, and then leave it neglected and exhausted, he would starve. It is upon this fundamental idea of constant production without exhaustion, that the system of English cultivation, and, indeed, of all good cultivation, is founded. England is not original in this. Flanders, and perhaps Italy, have been her teachers.

 

Daniel Webster

 

When I am in my painting, I am not aware of what I’m doing. It is only after a short of ‘get acquainted’ period that I see what I have been about. I have no fears about making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.

 

Jackson Pollock

 

I don’t care for 'abstract expressionism'... and it is certainly not ‘non-objective’, and not ‘non-representational’ either. I’m very representational some of the time, and a little all of the time. But when you’re painting out of your consciousness, figures are bound to emerge. We’re all of us influenced by Freud, I guess. I’ve been a Jungian for a long time... Painting is a state of being... Painting is self-discovery. Every good artist paints what he is.

 

Jackson Pollock

 

Painting has nothing to do with thinking, because in painting thinking is painting. Thinking is language – record-keeping – and has to take place before and after. Einstein did not think when he was calculating: he calculated – producing the next equation in reaction to the one that went before – just as in painting one form is a response to another and so on."

 

Gerhard Richter

 

A work of art must be significant in its own time like any other intellectual manifestation.. ..because it's visual.. ..it is a reflection of external conditions not pyschological ones. Every painting must allow for this momentary and eternal value which will make it last beyond the period of its creation.

 

Fernand Leger