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John Trudell

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"The other side ...has studied. They understand what we were up to in the 1960's. They understand what we wanted in the early 1970's...They create certain events, and they manipulate the economics, and they manipulate circumstances because they want us to react the same way that we did in the 1960's so that they can come in and they can smash our movements. We must become of a resistance consciousness. We must say that we will not allow you to smash us. Even if it means that we have to deal with the part of you that you have planted in me..."

 
John Trudell

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"I am mistress of all the sciences. I go so far beyond all else that my work is called magic. I manipulate noumena, regarding monads as points of entry tangential to hylomorphism. As to the paradox of Primary Essence being contained in Quiddity, the larger in the smaller, I have my own solution. The difficulty is always in not confusing Contingency with Accidence. Do you understand me?"
"Sure. You're a witch."

 
R. A. Lafferty
 

Mo: I miss the good old days. Smash the family! Smash the state!
Sydney: What about Clarice and Toni and Raffi? D'you want to smash their family?
Mo: Please, Sydney. I'm expressing an ideological conviction, not talking about real people.

 
Alison Bechdel
 

Z-relation, or rather, "that certain pitch-class collections share the same 'interval vector' even though they are neither transpositionally nor inversionally equivalent was first pointed out by Howard Hanson in Harmonic Materials of Modern Music (New York: Appleton-Century-Crofts, 1960), p. 22, and by David Lewin in "Re: The Intervallic Content of a Collection of Notes," Journal of Music Theory 4:1 (1960). For a general criticism of Forte's concepts of pitch-class set equivalence see Perle, "Pitch-Class Set Analysis: An Evaluation," Journal of Musicology 8:2 (1990).

 
George Perle
 

Under the conditions of modern life we have more control over our thoughts, and in connection with this there is a special method by which we may work on the development of our consciousness using that instrument which is most obedient to our will; that is, our mind, or the intellectual centre. In order to understand more clearly what I am going to say, you must try to remember that we have no control over our consciousness. When I said that we can become more conscious, or that a man can be made conscious for a moment simply by asking him if he is conscious or not, I used the words "conscious" or "consciousness" in a relative sense. There are so many degrees of consciousness and every higher degree means "consciousness" in relation to a lower degree. But, if we have no control over consciousness itself, we have a certain control over our thinking about consciousness, and we can construct our thinking in such a way as to bring consciousness. What I mean is that by giving to our thoughts the direction which they would have in a moment of consciousness, we can, in this way, induce consciousness.

 
P. D. Ouspensky
 

I regard physics as that subset of magic that works fairly reliably. I regard magick, in the traditional sense, as a kind of physics that we strive to understand and render more reliable. So it all comes down to the same thing, a quest to understand and manipulate the world with a self-consistent and coherent theory.

 
Peter J. Carroll
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