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John Stuart Mill

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Originality is the one thing which unoriginal minds cannot feel the use of.

 
John Stuart Mill

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Originality is a thing we constantly clamour for, and constantly quarrel with; as if, observes our author himself, any originality but our own could be expected to content us! In fact all strange thing are apt, without fault of theirs, to estrange us at first view, and unhappily scarcely anything is perfectly plain, but what is also perfectly common.

 
Thomas Carlyle
 

[[T]he question of originality, if it arises at all, can never be peripheral: originality is more than a requirement in good poetry, it is a description of it.

 
Clive James
 

I guess the thing I've spent more time on than anything else in this slide show is trying to identify all those things in people's minds that serve as obstacles to them understanding this. And whenever I feel like I've identified an obstacle I try to take it apart, roll it away, move it, demolish it, blow it up. I've set myself a goal: communicate this real clearly. The only way I know to do it is city by city, person by person, family by family, and I have faith that pretty soon that enough minds are changed that we cross a threshold.

 
Al Gore
 

Yes, I know well that others before me have felt what I feel and express; that many others feel it today, although they keep silence about it. ...And I do not keep silence about it because it is for many the thing which must not be spoken, the abomination of abominations — infandum — and I believe that it is necessary now and again to speak the thing which must not be spoken. ...Even if it should lead only to irritating the devotees of progress, those who believe that truth is consolation, it would lead to not a little. To irritating them and making them say: "Poor fellow! if he would only use his intelligence to better purpose!... Someone perhaps will add that I do not know what I say, to which I shall reply that perhaps he may be right — and being right is such a little thing! — but that I feel what I say and I know what I feel and that suffices me. And that it is better to be lacking in reason than to have too much of it.

 
Miguel de Unamuno
 

Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.

 
Charles Mingus
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