I never enjoyed writing a book more; indeed, it is the only one I remember in no sense as a labor but as a joy.
--
Introduction, Section I, p. xJohn Kenneth Galbraith
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I don't know if Native Son is a good book or a bad book. And I don't know if the book I'm working on now will be a good book or a bad book. And I really don't care. The mere writing of it will be more fun and a deeper satisfaction than any praise or blame from anybody. I feel that I'm lucky to be alive to write novels today, when the whole world is caught in the pangs of war and change.
Richard Wright
"Later I became very involved in writing. I really enjoyed that moment of writing. People would pass around my sentences. That was a feeling I never had before. It was like a bullet out of the gun."
Ai Weiwei
The only difference [between promoting a book and a CD] is when I do the readings. My fans are out there in full force, but it's nice to have all the kids there as well. I really love this evolution of writing. Writing is my core, and writing the book was like writing a really long love song. I have 31 pages to elaborate instead of three minutes. And my target audience, although it is children, I don't talk down to them. I want the parents to find it interesting. [Children] sit in my lap. I love it. I've always tried to turn an arena into an intimate setting. So, if I'm already in an intimate setting . . . You get to talk to a few hundred people, and you get to really bring them in, to have an exchange with them that often doesn't occur on the stage.
Gloria Estefan
In Andrew Motion's book, we have the constant sense that Larkin is somehow falling short of the cloudless emotional health enjoyed by, for instance, Andrew Motion. Also the sense, as Motion invokes his like-minded contemporaries, that Larkin is being judged by a newer, cleaner, braver, saner world. ... Motion is extremely irritated by Larkin's extreme irritability. He's always complaining that Larkin is always complaining.
Martin Amis
I reread that book in the summer of '03. . . . And I hadn't looked at that book either since '91. And I was dreading it. I thought it was going to be a really terrible novel. Everything everyone had ever said about it was going to be true. . . . And I started reading it... and I was surprised. It was good. It was fun. It was not nearly as pretentious as I remember I wanted it to be when I was writing it. Not nearly as weighted down with the importance that I thought I was investing it with. I found it really fast-moving. I found it really funny. And I liked it a lot. The violence was... it made my toes curl. I really freaked out. I couldn't believe how violent it was. It was truly upsetting. I had to steel myself to reread those passages.
Bret Easton Ellis
Galbraith, John Kenneth
Galeano, Eduardo
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