In spite of all,
Some shape of beauty moves away the pall
From our dark spirits.
--
Bk. I, l. 11.John Keats
Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadness can begin to weigh you down.
Stephanie Zacharek
I have fled in the shape of a raven of prophetic speech,
in the shape of a satirizing fox,
in the shape of a sure swift,
in the shape of a squirrel vainly hiding.
I have fled in the shape of a red deer,
in the shape of iron in a fierce fire,
in the shape of a sword sowing death and disaster,
in the shape of a bull, relentlessly struggling.Taliesin
To be with child does not diminish beauty, but changes the shape of beauty.
Edmund Cooper
But the other side of its Becoming, History, is a conscious, self-meditating process Spirit emptied out into Time; but this externalization, this kenosis, is equally an externalization of itself; the negative is the negative of itself. This Becoming presents a slow-moving succession of Spirits, a gallery of images, each of which, endowed with all the riches of Spirit, moves thus slowly just because the Self has to penetrate and digest this entire wealth of its substance. As its fulfilment consists in perfectly knowing what it is, in knowing its substance, this knowing is that withdrawal into itself in which it abandons its outer existence and gives its existential shape over to recollection. Thus absorbed in itself, it is sunk in the night of its self-consciousness; but in that night its vanished outer existence is perserved, and this transformed existence the former one, but now reborn of the Spirit's knowledge is the new existence, a new world and a new shape of Spirit. In the immediacy of this new existence the Spirit has to start afresh to bring itself to maturity as if, for it, all that preceded were lost and it had learned nothing from the experience of the earlier Spirits. But recollection, the inwardizing, of that experience, has perserved it and is the inner-being, and in fact the higher form of the substance. So although to bring itself to maturity, it is none the less on a higher level that it starts. The realm of Spirits which is formed in this way in the outer world constitutes a succession in Time in which one Spirit relieved another of its charge and each took over the empire of the world from its predecessor. Their goal is the revelation of the depth of Spirit, and this is the absolute Notion. This revelation is, therfore, the raising-up of its depth, or its extension, the negativity of this withdrawn 'I', a negativity which is its externalization or its substance; and this revelation is also a Notion's Time, in that this externalization is in its own self externalized, and just as it is in its extension, so it is equally in its depth, in the Seld. The goal, Absolute Knowing, or Spirit that knows itself as Spirit, has for its path the recollection of the Spirits as they are in themselves and as they accomplish the organization of their realm. Their preservation, regarded from the side of their free existence appearing in the form of contingency, is History; but regarded from the side of their comprehended organization, it is the Science of Knowing in the sphere of appearance: the two together, comprehended History, form alike the inwardizing and the Calvary of the absolute Spirit, the actuality, truth, and certainty of his throne, without which he would be lifeless and alone. Only
Georg Wilhelm Friedrich Hegel
I think when a man first discovers that two and two is four, there is 'beauty' in that; and we can see why. But if people stand and look at the moon and one says 'I think its just beautiful tonight' and the other says 'The moon makes me feel awful' we are both 'clear'. A geometric shape we know why we like it; and an unreasonable shape; it has a certain mystery that we recognise as real; but it is difficult to put these things in an objective way. (remark in the Artists' Session at Studio 35, 1950, fh)
William Baziotes
Keats, John
Keble, John
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