Nothing is finer for the purposes of great productions than a very gradual ripening of the intellectual powers.
--
Letter to his brother, (January 23, 1818).John Keats
Europe has its history, often tragic, though at intervals consoling. But to speak of any universally recognized national rights or that these rights have played any part in its history, is to play with the powers of public credulity. Always the first duty of a state has been its safety; the pledge of its safety, its power; and the limits of its power, that intelligence of which each has been made the depository. When the great powers have proclaimed any other principle, it has been only for their own purposes, and the smaller powers have never received any benefit from it.
Napoleon Bonaparte
An ardent affection for the human race makes enthusiastic characters eager to produce alteration in laws and governments prematurely. To render them useful and permanent, they must be the growth of each particular soil, and the gradual fruit of the ripening understanding of the nation, matured by time, not forced by an unnatural fermentation.
Mary Wollstonecraft
Once wide coercive powers are given to governmental agencies for particular purposes, such powers cannot be effectively controlled by democratic assemblies.
Friedrich Hayek
[T]he great security against a gradual concentration of the several powers in the same department, consists in giving to those who administer each department the necessary constitutional means, and personal motives, to resist encroachments of the others. The provision for defence must in this, as in all other cases, be made commensurate to the danger of attack.
James Madison
A fundamental problem in such studies stems from the long tradition that has regarded artistic productions as social facts. by regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his [sic] audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.
Norman Denzin
Keats, John
Keble, John
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