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John Dewey

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The way our group or class does things tends to determine the proper objects of attention, and thus prescribe the directions and limits of observation and memory. What is strange and foreign (that is to say outside the activities of the group) tends to be morally forbidden and intellectually suspect. It seems almost incredible to us, for example, that things which we know very well, could have escaped recognition in past ages. We incline to account for it by attributing congenital stupidity to our forerunners and by assuming superior native intelligence on our own part. But the explanation is that their modes of life did not call for attention to such facts, but held their minds riveted to other things.
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The Social Meaning as Educative

 
John Dewey

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No one has to stand behind us; we’ve never asked anyone to defend the way we get attention. The fact is we are the biggest group because we succeed in getting attention. ... The fact is we may be doing all sorts of things on a campaign but the one thing that gets attention is the outrageous thing. It simply goes to prove to us each time, that that is the thing that’s going to work; and so we won’t shirk from doing that facet — in addition to all the other things we do that you never hear about because no one cares.

 
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Most of us do our best not to think about death. But there’s always part of our minds that knows this can’t go on forever. Part of us always knows that we’re just a doctor’s visit away, or a phone call away, from being starkly reminded with the fact of our own mortality, or of those closest to us. Now, I’m sure many of you in this room have experienced this in some form; you must know how uncanny it is to suddenly be thrown out of the normal course of your life and just be given the full time job of not dying, or of caring for someone who is... But the one thing people tend to realize at moments like this is that they wasted a lot of time, when life was normal. And it’s not just what they did with their time — it’s not just that they spent too much time working or compulsively checking email. It’s that they cared about the wrong things. They regret what they cared about. Their attention was bound up in petty concerns, year after year, when life was normal. This is a paradox of course, because we all know this epiphany is coming. Don’t you know this is coming? Don’t you know that there’s going to come a day when you’ll be sick, or someone close to you will die, and you will look back on the kinds of things that captured your attention, and you’ll think ‘What was I doing?’. You know this, and yet if you’re like most people, you’ll spend most of your time in life tacitly presuming you’ll live forever. Like, watching a bad movie for the fourth time, or bickering with your spouse. These things only make sense in light of eternity. There better be a heaven if we’re going to waste our time like this.

 
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To perceive is to construct intellectually, and if the child draws things as he conceives them, it is certainly because he cannot perceive them without conceiving them. But to give up gradually the spurious absolutes situated away and apart from the context of relations that has been built up during experience itself is the work of a superior kind of rationality. When the child comes to draw things as he sees them, it will be precisely because he has given up taking isolated objects in and for themselves and has begun to construct real systems of relations which take account of the true perspective in which things are connected.

 
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There was constant talk about hewing things and ravaging things and splitting things asunder. Lots of big talk of things being mighty, and of things being riven, and of things being in thrall to other things, but very little attention given, as I now realise, to the laundry.

 
Douglas Adams
 

What to leave out is the first thing the artist has to decide; a painter who “held the mirror up to nature” would spend his life on the leaves of one landscape. The work of art’s fluctuating and idiosyncratic threshold of attention—the great things disregarded, the small things seized and dwelt on—is as much of a signature as anything in it.

 
Randall Jarrell
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