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John Constable

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I paint by all the daylight we have and that is little enough, less perhaps than you have by much... imagine to yourself how a purl must look through a burnt glass.
--
Letter to John Dunthorne, 1801; as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 510

 
John Constable

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I paint very large pictures. I realize that historically the function of painting large pictures is painting something very grandiose and pompous. The reason I paint them however, - I think it applies to other painters I know -, is precisely because I want to be very intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the lager picture, you are in it. It isn’t something you command.

 
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The technique used heavy, spiky pastes made of nothing other than ordinary oil paint, used thick and mixed with sand and gravel. I some cases – but these were the exception – a few miscellaneous objects were stuck into the wet paint, such as bits of string or little pieces of glass or mirror. (remark on his technique Dubuffet used in his series Hautes Pâtes, exhibited in 1946, fh)

 
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Short of coming to their senses and abolishing the whole thing, we might expect that the rules for daylight saving time will remain the same for some time to come, but there is no guarantee. (We can only be glad there is no daylight loan time, or we would face decades of too much daylight, only to be faced with a few years of total darkness to make up for it.)

 
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I think we're at a time in American history that's probably analogous to, maybe, Rome before the first emperors, when the Republic started to fall... I think if you look at the pattern of events, if you look at the disputed election of 2000, can you imagine? In America, people are trying to recount ballots and a partisan mob is pounding on the glass and threatening the counters? Can you imagine that? Can you imagine a political party which does its best to keep any representatives from another party — who've even been affiliated with another party — from getting a business job in the nation's capital? Can you imagine a political party that wants to redistrict so that its opponents can be driven out entirely?...it's a different time in America and the Republic is — this election is about a lot more than jobs. I'm not sure everybody in America sees it right now. But I see it, I feel it.

 
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I can't paint the way they want me to paint and they know that too.
Of course you will say that I ought to be practical and ought to try and paint the way they want me to paint. Well, I will tell you a secret. I have tried and I have tried very hard, but I can't do it. I just can't do it! And that is why I am just a little crazy.

 
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