I’d go back to 1975. I commented elsewhere, recently, that pressing the “rewind” button would be a good idea, as long as it was done across the board, and not piecemeal or in stealth mode, a la “Birthright.” Take all the characters back to their status quo circa 1975, but set the stories now. Since the most anal-retentive fanboys need “explanations” for everything, have the Shaper of Worlds do it at M*****. Not sure who’d be up for the job at DC. (2004)
John Byrne
As I have said many times, I don’t care if they wipe away every trace of every book I have ever worked on. I just wish they’d stop doing so by pressing the “rewind” button. That’s just creative bankruptcy. (2005)
John Byrne
Back in those days, when I heard a mod that was better than mine I went back to the drawing board and tried to figure out how this sound was made and how the idea was thought up. I still think this way.
Jesper Kyd
(intro) Well, here we go. This is the first book I've written since 1975, when I was in the 7th grade and wrote Boogers Are Good Eatin'.
Larry the Cable Guy
Say you've been to MGM (Metro-Goldwyn-Mayer) Disney Studios in Orlando, you'll know that there's an animation studio where you actually walk out of the back door of the animation studio and you're in a theme park. Now you say, hey, that's pretty cool. Could any animation studio have a sort of situation like that that is any cooler? And you think not. Well, you're wrong, I'd say, because here at Big Idea when we walk out our back door, We have the Timework button, we push the button, we open the door[...] and, we're in a mall. Disney has nothing on this. You can be animating one moment, buying candy by the pound the next, or taking a ride on a little train, or going to the food court.
Phil Vischer
To harken back to the pre-Crisis days is to play to exactly what I find most wrong with DC these days—their idea of “innovation” is to press “rewind”. And that is most definitely catering to the “old” crowd. (2007)
John Byrne
Byrne, John
Byrom, John
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