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I assume most guitar players are like me. They're playing, having fun; then they get a magazine in the mail that says "Shred Is Dead" and they say, "What the Hell?" They throw it away and keep on playing.
--
As quoted in "Shred on Arrival" in Guitar World (November 1993)

 

Joe Satriani

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That night at the "Eagle's Nest", I remember, he was playing a D-18 Martin acoustic guitar and he was dressed in the latest teen fashion, but the thing I really noticed though, was his guitar playing. Elvis was a fabulous rhythm player. He'd start into "That’s All Right" , with his own guitar, alone, and you didn't want to hear anything else.

 

Elvis Presley

 

"'Waterloo was won,'" quoted Rackham, "'on the playing fields of Eton.'"
"What the hell does that mean?" asked Carn Carby. "You never even went to Eton."
"It was an analogy," said Rackham. "If you hadn't spent your entire childhood playing war games, you'd actually know something. You're all so uneducated."

 

Orson Scott Card

 

I've always believed that any instrumentalist is basically just an accompanist to the singer and the words. That's born out of being a fan of records before I was a fan of guitar players -- I'm interested in melody, lyrics, and the overall song. I don't like to waste notes, not even one. Who was it that said, "The reason why all those guitar players play so many notes is because they can't find the right one"? I like to put the right note in the right place, and my influences have always been those kinds of players. Keith Richards comes to mind, and I really like Nils Lofgren's soloing, because he's so melodic. I love John Lennon's rhythm playing, and George Harrison was an incredible guitarist.
There's a lot of guitar culture that I don't like at all. I find the traditional idea of the guitar hero to be really irrelevant to the 1990s. I don't think that young people are that impressed with some guy brandishing Spandex trousers and a hideously shaped guitar, playing that kind of masturbatory, egotistical noise. Being a soloist who wants to just display virtuosity is a dated philosophy, and I don't think there's any room for it in pop music. It's the last stand of late-'60s/early-'70s rockism, and it should have gone a long time ago.

 

Johnny Marr

 

Giovanni Trapattoni: "Every player has some genius, but there's only one Van Gogh, and there is nobody like Totti." "Totti can transform a side. There are very few players who have that capability." "He reminds me of Eusébio, as quick mentally as he is physically." "If I was still playing football today, then I would have real problems marking Totti, a bit like I struggled to control Pelé in the past. He has those same characteristics."

 

Francesco Totti

 

The first time I saw her perform — she must’ve been 15, maybe 14 — she got up in a club in Dallas, sat in with her guitar teacher’s band, played "The Wind Cries Mary" and just blew everybody away. ... At that time she was very shy and diminutive, except when you listened to her guitar playing. ... She’s physically a very intense player. She takes a kind of ferocious approach to the technique of the guitar, a real high energy.

 

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