Thursday, November 21, 2024 Text is available under the CC BY-SA 3.0 licence.

Jodie Marsh

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Once you’ve been naked in a room full of 300 people, nothing scares you. I’m not saying everyone should become a stripper but forcing yourself to do something terrifying can change your life. You realise you can do anything.
--
Interview in The Metro, undated

 
Jodie Marsh

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Most of the time you're playing the crazy girl or the stripper - always the stripper! I mean, how many strippers can I play. I can do a lap dance phenomenally, and that's not a good sign, because I'm not a stripper.

 
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That feeling of terrible emptiness when I touched him was like going into a house that you thought would be full of people you loved, only to find it empty, and even the furniture taken. You walk from room to room, hearing your footsteps echo on the naked floors. Your voice bounces back from the empty walls, where the lines of beloved photos still show like the line around a body at a crime scene. He was gone.

 
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I was born to be an editor, I always edit everything. I edit my room at least once a week. Hotels are made for me. I can change a hotel room so thoroughly that even its proprietor doesn't recognize it... I edit people's clothes, dressing them infallibly in the right lines... I change everyone's coiffure — except those that please me — and these I gaze at with such satisfaction that I become suspect, I edit people's tones of voice, their laughter, their words. I change their gestures, their photographs. I change the books I read, the music I hear... It's this incessant, unavoidable observation, this need to distinguish and impose, that has made me an editor. I can't make things. I can only revise what has been made.

 
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Succeeding in forcing an entire people on its knees, making it endorse extravagant and irrational concepts, keeping it in ignorance and poverty: this is what this man, who has survived 42 years without ever hesitating to suffocate any attempt at opposition, has achieved. No journalists, no witnesses, he is unapproachable, the arrogant, absolute master. Often, his psychological problems are brought up, but a sophisticated analysis is not needed to pin them down. One need only look at him: his narcissism is pathological, his egocentrism pathetic, and his arrogance terrifying.

 
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I'm sure one reason that so many Greek myths deal with terrifying, powerful women — Medea, Electra, the Erinyes, the Bacchae, — is that at some point in the misty past, women held a power that was terrifying — terrifying not because they were women whom men felt threatened by, but because they wielded that power in terrifying rituals that almost certainly involved human sacrifice.
This would not be a popular platform on which to base a feminist agenda.

 
Elizabeth Hand
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