I have always directed my attempts at the figurative representation of objects by way of summary and not very descriptive brushstrokes, diverging greatly from the real objective measurements of things, and this has led many people to talk about childish drawing.. ..this position of seeing them (the objects, fh) without looking at them too much, without focussing more attention on them than any ordinary man would in normal everyday life..
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Prospectus et tous écrits suivants, Vol. II, Jean Dubuffet, Gallimard, Paris 1967, p. 105Jean Dubuffet
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What seems interesting to me is to reproduce in the figurative representation of an object the whole complex system of impressions we receive in the normal course of everyday life, the way this affects our feelings and the shape it takes in our memory; and it is to this that I have always applied myself.
Jean Dubuffet
We both are, and know that we are, and delight in our being, and our knowledge of it. Moreover, in these three things no true-seeming illusion disturbs us; for we do not come into contact with these by some bodily sense, as we perceive the things outside of us of all which sensible objects it is the images resembling them, but not themselves which we perceive in the mind and hold in the memory, and which excite us to desire the objects. But, without any delusive representation of images or phantasms, I am most certain that I am, and that I know and delight in this. In respect of these truths, I am not at all afraid of the arguments of the Academicians, who say, What if you are deceived? For if I am deceived, I am. For he who is not, cannot be deceived; and if I am deceived, by this same token I am. And since I am if I am deceived, how am I deceived in believing that I am? for it is certain that I am if I am deceived. Since, therefore, I, the person deceived, should be, even if I were deceived, certainly I am not deceived in this knowledge that I am. And, consequently, neither am I deceived in knowing that I know. For, as I know that I am, so I know this also, that I know. And when I love these two things, I add to them a certain third thing, namely, my love, which is of equal moment. For neither am I deceived in this, that I love, since in those things which I love I am not deceived; though even if these were false, it would still be true that I loved false things. For how could I justly be blamed and prohibited from loving false things, if it were false that I loved them? But, since they are true and real, who doubts that when they are loved, the love of them is itself true and real? Further, as there is no one who does not wish to be happy, so there is no one who does not wish [themself] to be [into being]. For how can he be happy, if he is nothing?
Augustine of Hippo
Were I to give the Sphere's explanation of these matters, succinct and clear though it was, it would be tedious to an inhabitant of Space, who knows these things already. Suffice it, that by his lucid statements, and by changing the position of objects and lights, and by allowing me to feel the several objects and even his own sacred Person, he at last made all things clear to me, so that I could now readily distinguish between a Circle and a Sphere, a Plane Figure and a Solid.
Edwin Abbot
Now it is a universal law of the perceptions obtained through the senses that we pay only so much attention to the sensations actually experienced as is sufficient for us to recognise external objects. In this respect we are very one-sided and inconsiderate partisans of practical utility; far more so indeed than we suspect. All sensations which have no direct reference to external objects, we are accustomed, as a matter of course, entirely to ignore, and we do not become aware of them till we make a scientific investigation of the action of the senses, or have our attention directed by illness to the phenomena of our own bodies. Thus we often find patients, when suffering under a slight inflammation of the eyes, become for the first time aware of those beads and fibres known as mouches volantes swimming about within the vitreous humour of the eye, and then they often hypochondriacally imagine all sorts of coming evils, because they fancy that these appearances are new, whereas they have generally existed all their lives.
Hermann von Helmholtz
Painting is an essentially concrete art and can only consist of the representation of real and existing things. It is a completely physical language, the words of which consist of all visible objects. An object which is abstract, not visible, non-existent, is not within the realm of painting.
Gustave Courbet
Dubuffet, Jean
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