The voice (sometimes an ominous rumble that sounds as though he's been gargling with pebbles, sometimes the bliss of Bailey's Irish Cream swirling lazily about a fine crystal goblet) crescendos almost imperceptibly.
--
Description of Wynand Claassen from her interview with Claassem published in the Just Jani column of the Sunday Times, republished in Face Value by Jani Allan.Jani Allan
I was about 10 years old, the first time I heard Elvis Presley's voice, pouring from my father's car radio, in East St. Louis, Illinois; I can't recall the song, whether it was a ballad or a rocker (but), what I remember is how his voice, that smoldering rumble of a voice, made my skin tingle; I don't know why, but I just loved his voice, his sound just did something to me.
Elvis Presley
Getting the call to be in The Goblet of Fire was like being welcomed into the most exclusive upper circle of some elite actors' club. You sit on set with the cream of the National Theatre and the RSC, all clutching wands or wearing witches' hats.
David Tennant
We have also sound houses, where we practice and demonstrate all sounds and their generation. We have harmonies which you have not, of quarter sounds and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have; together with bells and rings that are dainty and sweet. We represent small sounds as great and deep; likewise divers trembling and warblings of sounds, which in their original are entire. We represent and imitate all articulate sounds and letters, and the voices of beasts and birds. We have certain helps which set to the ear to do further the hearing greatly. We have also divers strange and artificial echoes, reflecting the voice many times, and as if it were tossing it; and some that give back the voice louder than it came, some shriller and some deeper; yea, some rendering the voice, differing in the letters or articulate sound from that they receive. We have also means to convey sounds in tubes and pipes, in strange lines and distances...
Francis Bacon
I'm English, and as such I crave disappointment. That's why I buy Kinder Surprise. Horrible chocolate; nasty little toy: a double-whammy of disillusionment! Sometimes I eat the toy out of sheer despair. I call them the Eggs Of Numbing Inevitability. And when I buy them, I always ask for them in the third person: "Bill Bailey would like the Eggs Of Numbing Inevitability." I did that the other day and it answered me back, and he said to me: "No, I am Bill Bailey. You are not Bill Bailey, you are just a mere doppelgänger. I am the true Bill Bailey, in another dimension." And I went, "Oh, I hadn't planned on that." Then I thought the only way to solve this, I have to run at my doppelgänger, then we will be fused forever. So I ran full-tilt at it, and just before I got there I realised it was the highly polished side of the cheese counter.
Ch. 12, 21:57Bill Bailey
[W]e would probably claim Kafka as an Irish writer. His tone of voice is certainly quite Irish: that sense of melancholy, that sense of strangeness and of being a stranger in the world. I think that we empathise with that very much indeed.
John Banville
Allan, Jani
Allee, W. C.
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