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"A deathbed promise is the most sacred one there is," she hawked at him from the lungs that were almost, but not quite, filled up yet, "and I want you to make me this promise on my deathbed: Promise me you wont never hurt nobody unless its absolute a must, unless you jist have to do it."
"I promise you," he vowed to her, still waiting for the angels to appear. "Are you afraid?" he said.
"Give me your hand on it, boy. It is a deathbed promise, and you'll never break it."
"Yes maam," he said, giving her his hand, drawing it back quickly, afraid to touch the death he saw in her, unable to find anything beautiful or edifying or spiritually uplifting in this return to God. He watched a while longer for signs of immortality. No angels came, however, there was no earthquake, no cataclysm, and it was not until he had thought it over often this first death that he had had a part in that he discovered the single uplifting thing about it, that being the fact that in this last great period of fear her thought had been upon his future, rather than her own. He wondered often after that about his own death, how it would come, how it would feel, what it would be like to know that this breath, now, was the last one. It was hard to accept that he, who was the hub of this known universe, would cease to exist, but it was an inevitability and he did not shun it. He only hoped that he would meet it with the same magnificent indifference with which she who had been his mother met it. Because it was there, he felt, that the immortality he had not seen was hidden.

 

James Jones

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"You go on. You just go on. There's nothing more to it, and there's no trick to make it easier. You just go on."
"And what do you find on the other side? When you go on?"
"Your life again. What else?"
"Is that a promise?"
"It's an inevitability. No trick. No choice. You just go on."

 

Lois McMaster Bujold

 

"Do you promise you won't hurt me?" asked Arthur.
"You will be safe from all harm for the space of a quarter hour, as measured by this clock," replied the Old One. "You are mortal enough that I would not slay you like a wandering cockroach, or a Denizen of the House."
"Thanks," said Arthur. "I think."

 

Garth Nix

 

[About going upstairs to "kill his son."] So I say, "Your mother sent me up here to kill you." He says, "Uh-huh." So I looked at him. And I noticed that from here...[points to one side of his head and circles around to the other side] all the way around to here...there was no hair! I said, "Son?" Called him "son". "What happened to your hair?" He said, "I don't know." I said, "Son, take your hand and put it on top of your head and tell me what you feel." He said, "There's no hair." I said, "Right! Now, tell Dad what happened to your hair." He said, "I don't know." I said, "Son, was your head with you all day today?" He said, "Uh-huh." I said, "Was this the hairstyle you wanted?!" He said, "Uh-huh." I said, "A reverse MOHAWK?!!" He said, "Uh-huh." I said, "Did you cut your hair off?" He said, "Uh-huh." I said, "Well, why didn't you tell me that?" He said, "I don't know!" I said, "Is this the hair style you wanted?!" He said "Uh-huh!" I said, "A REVERSED mohawk?!" So I went back downstairs, and my wife said "DID YOU KILL HIM?!" I said "No!" She said, "Why?" I said "I don't know!!!"

 

Bill Cosby

 

"What I would like to know is what I should be doing."
"I see what you mean," Freeling said, "but I'm afraid I can't tell you. If you were a lathe operator I'd say make that part, but you're a part of management, and you can't treat managerial people that way."
"Go ahead," Forlesen told him. "I won't mind."
[...] "What I meant was that if I knew what you ought to be doing I'd hire a clerk to do it. You're where you are because we feel—rightly or wrongly—that you can find your own work, recognize it when you see it, and do it or get somebody else to. Just make damn sure you don't step on anybody's toes while you're doing it, and don't make more trouble than you fix. [...] Don't come running to me with complaints, and don't let me get any complaints about you. Now what was it you wanted to see me about?"
"I don't," Forlesen said. "You said you wanted to see me."
"Oh. Well, I'm through."

 

Gene Wolfe

 

"Now," said Giacomo Paradisi, "here you are, take the knife, it is yours."
"I don't want it," said Will. "I don't want anything to do with it."
"You haven't got the choice," said the old man. "You are the bearer now."
"I thought you said you was," said Lyra.
"My time is over," he said. "The knife knows when to leave one hand and settle in another, and I know how to tell..."

 

Philip Pullman