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James I of Scotland

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Now was there maid fast by the touris wall
A gardyn fair, and in the corneris set
Ane herber grene with wandis long and small
Railit about; and so with treis set
Was all the place, and hawthorn hegis knet.
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Line 211

 
James I of Scotland

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I shall not find a painting more beautiful because the artist has painted a hawthorn in the foreground, though I know of nothing more beautiful than the hawthorn, for I wish to remain sincere and because I know that the beauty of a painting does not depend on the things represented in it. I shall not collect images of hawthorn. I do not venerate hawthorn, I go to see and smell it.

 
Marcel Proust
 

I've gone back to the Frick since then to look at her and at the two other Vermeers. Vermeers, after all, are hard to come by, and the one in Boston has been stolen. The other two are self-contained paintings. The people in them are looking at each other -- the lady and her maid, the soldier and his sweetheart. Seeing them is peeking at them through a hole in a wall. And the wall is made of light -- that entirely credible yet unreal Vermeer light. Light like this does not exist, but we wish it did. We wish the sun could make us young and beauitful, we wish our clothes could glisten and ripple against our skins, most of all, we wish that everyone we knew could be brightened simply by our looking at them, as are the maid with the letter and the soldier with the hat. The girl at her music sits in another sort of light, the fitful, overcast light of life, by which we see ourselves and others only imperfectly, and seldom.

 
Susanna Kaysen
 

In a herber green, asleep where I lay,
The birds sang sweet in the mids of the day;
I dreamed fast of mirth and play.
In youth is pleasure, in youth is pleasure.

 
Robert Wever
 

Here's a simple copyright lesson: Law regulates copies. What's that mean? Well, before the Internet, think of this as a world of all possible uses of a copyrighted work. Most of them are unregulated. Talking about fair use, this is not fair use; this is unregulated use. To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else. For example, quoting a text in another text — that's a copy, but it's a still fair use. That means the world was divided into three camps, not two: Unregulated uses, regulated uses that were fair use, and the quintessential copyright world. Three categories.
Enter the Internet. Every act is a copy, which means all of these unregulated uses disappear. Presumptively, everything you do on your machine on the network is a regulated use. And now it forces us into this tiny little category of arguing about, "What about the fair uses? What about the fair uses?" I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?

 
Lawrence Lessig
 

And we have so much work to do in America, because all across America, there are walls ... There's a wall around Washington, D.C. The American people are, today, on the outside of that wall. And on the inside are the big corporations and the lobbyists who are working to protect a system that takes care of them. ... There is another wall that divides us. It's the moral shame of 37 million of our own people who wake up in poverty every single day This is not OK. And for eight long, long years, this wall has gotten taller And there's also a wall that's divided our image in the world. The America as the beacon of hope is behind that wall. And all the world sees now is a bully. They see Iraq, Guantanamo, secret prison and government that argues that water boarding is not torture. This is not OK. That wall has to come down for the sake of our ideals and our security. We can change this. We can change it. Yes we can. If we stand together, we can change it. ... This is not going to be easy. It's going to be the fight of our lives. But we're ready, because we know that this election is about something bigger than the tired old hateful politics of the past. This election is about taking down these walls that divide us, so that we can see what's possible -- what's possible, that one America that we can build together.

 
John Edwards
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