Imagine, if you will, the dispiriting experience of listening to an awful cover of one of your favorite songs. That's how I felt sitting through Die Another Day, the 20th official outing for [James Bond]. This is a train wreck of an action film ... What's missing from this movie? Any real sense that we're watching 007 rather than a generic spy in a tuxedo.
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Review of Die Another Day (2002)James Berardinelli
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Watching Avatar, I felt sort of the same as when I saw Star Wars in 1977. That was another movie I walked into with uncertain expectations. James Cameron's film has been the subject of relentlessly dubious advance buzz, just as his Titanic was. Once again, he has silenced the doubters by simply delivering an extraordinary film. There is still at least one man in Hollywood who knows how to spend $250 million, or was it $300 million, wisely.
Roger Ebert
My hope is that Casino Royale has not only re-invented James Bond, but made him relevant for the 21st century. The target audience has shifted. Although there's nothing in Casino Royale that will exclude teenagers, this 007 is aimed squarely at adults. The November release date is also perfect — the film is almost too dark and serious for the kind of lighthearted, mindless fun we associate with summer blockbusters. In recent years, I have come to each new James Bond movie with a series of ingrained expectations. For the most part, the Brosnan films met them across the board. Casino Royale defies many of them, and I couldn't be happier.
James Berardinelli
This is a film that really inhabits the proper world of James Bond. I mean, James Bond lives in a world that is violent and dangerous.
Timothy Dalton
Sitting in Baghdad, listening to the God-awful propaganda rhetoric of the Iraqis but watching the often promiscuous American and British air attacks, I have a suspicion that what's gone wrong has nothing to do with plans. Indeed, I suspect there is no real overall plan. Because I rather think that this war's foundations were based not on military planning but on ideology. The monster of Baghdad is now the hero of Arabia, April 1, 2003
Robert Fisk
Like everything else, James Bond (Pierce Brosnan) has had to change for the nineties. The venerable 007, coming off a long hiatus, has taken on his sixth face (the other five being Sean Connery, David Niven, George Lazenby, Roger Moore, and Timothy Dalton), changed his mode of transport from an Aston Martin to a BMW, and now answers to a female "M" (played dryly by Judi Dench). Bond's attitudes towards women have been modified — although not greatly. Also, there's more action in GoldenEye than in previous 007 entries — enough to keep a ninety-minute film moving at a frantic pace. Unfortunately, this movie isn't ninety-minutes long — it's one-hundred thirty, which means that fully one-quarter of GoldenEye is momentum-killing padding.
James Berardinelli
Berardinelli, James
Berays, Edward
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