Of all the indignities to have been visited upon Dracula during the past century (including being the "inspiration" for a cereal and a Sesame Street character, and being lampooned by Mel Brooks), none is more unsettling than what has happened to the world's most famous vampire in Dracula 2000. Dimension Films, the exploitation division of Miramax, decided that, with their two horror franchises currently on hold (the Scream and Halloween films), they would turn their attention in another direction. So they sunk their greedy fangs into the most venerable monster they could find and sucked him dry.
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Review of Dracula 2000 (2000)James Berardinelli
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I think they could take sesame seeds off the market and I wouldn't even care. I can't imagine 5 years from now, saying, "Damn, remember sesame seeds? What happened? All the buns are blank! They're gonna have to change that McDonald's song: 'Two all-beef patties, special sauce, lettuce, cheese, pickles, onions, on a... bun.' How's a sesame seed stick to a bun? That's f**kin' magical! There's got to be some sesame seed glue out there! Either that, or they're adhesive on one side. "Take the sesame seed out, remove the backing, place it on the bun. Now your bun will look spectacular." What does a sesame seed grow into? I don't know, we never gave them a chance! What the f**k is a sesame? It's a street...it's a way to open shit!
Mitch Hedberg
"The Itch" was an accident. I responded to [co-writer] Billy Steinberg's lyric because I thought even though we set it in this particular story of a girl in a relationship who isn't getting what she needs, it's really a metaphor for desire. Everything just coincided without my realizing it. I was playing Lucy in Dracula 2000, and she's a character who is totally open, sexual and curious and definitely has "The Itch" on many different levels. And it was just coincidence that all this stuff kind of like came together for me. Because I get the itch all the time. And to me that really means something.
Colleen Fitzpatrick
As vampire movies go, few are more memorable than Nosferatu, which is not only the first screen version of Dracula, but, in some ways, remains the best. Unlike many of his predecessors who dabbled in the vampire genre, Murnau was a craftsman, and the care he lavished upon this production is evident in each shot and every scene. Alongside The Cabinet of Dr. Caligari, few motion pictures have had a more profound impact upon an entire genre than Nosferatu has had upon the legion of horror movies that trailed in its wake.
James Berardinelli
"I’m sorry Andrea Dworkin started a sexual revolution that she ended up repudiating. She never got to see people like me, Carol, and the rest of us little protégées who took her inspiration and flew to a new dimension. She got stuck, and then she got sick, and when you’re famous for one thing, no one wants to see you change unless you reject it all, like a pathetic sinner seeking redemption. She was too stubborn and too old-fashioned for that. Andrea Dworkin never would have admitted that she was a SuperStar. She was the animator of the ultimate porno horror loop, where the Final Girl never gets a chance to slay the monster, she only dies, dies, dies, with the cries of the angry mourners to remember her."
Andrea Dworkin
Berardinelli, James
Berays, Edward
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