Anyone who has heard [Derrida] lecture in French knows that he is more performance artist than logician. His flamboyant style--using free association, rhymes and near-rhymes, puns, and maddening digressions--is not just a vain pose (though it is surely that). It reflects what he calls a self-conscious "acommunicative strategy" for combating logocentrism.
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Mark Lilla, Review of Derrida's Moscou Aller-Retour in The New York Review of Books, June, 1998Jacques Derrida
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"The promise of eternal life is a threat unless you get to start over. The mythmakers knew that. They weren't dummies, man. ... They were the ones who invented rhyme and meter—the programming language for human memory in preliterary civilizations. It was a cultural checksum—a mnemonic device. You couldn't f**k with the code or the rhymes didn't work; and if the rhymes didn't work, people noticed. And so the knowledge of a people was passed down intact. It was a shamanic code. If you f**ked with the code, then society lost its collective mind. Smell me?"
Daniel Suarez
The free artist creates without a commission. He seems distinguished by the complete independence of his creativity and thus acquires the characteristic social features of an outsider whose style of life cannot be measured by the standards of public morality. The concept of the bohemian which arose in the nineteenth century reflects this process. The home of the Gypsies became the generic word for the artist's way of life.
But at the same time the artist, who is as "free as a bird or a fish," bears the burden of a vocation that makes him an ambiguous figure. For a cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the "standpoint of art" can deliver. The Romantic desire for a new mythology... gives the artist and his task in the world the consciousness of a new consecration. He is something like a "secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes.Hans-Georg Gadamer
Jacques Derrida, the father of the pseudo-philosophy of "Deconstructionism", has been deconstructed into the next world. He had been conducting a terminal "narrative" with cancer. Well, at least that is the subjective unproven conclusion we have, since, after all, how do we really know that death and cancer exist? [...] Derrida was one of the fathers of this school of Deconstructionism. He was best known for his attack on "logocentrism," that is, on the cruel oppression by rational thinking. (What a great guru for the humanities departments at your university!) He even dismissed Stalin as a logocentrist, which explains I guess why those Gulags and Red Terror ruined what otherwise would be the great blessings of Marxism. In short, we should all seek salvation through resistance to logic. What a great excuse not to do your homework!
Jacques Derrida
Many French philosophers see in M. Derrida only cause for silent embarrassment, his antics having contributed significantly to the widespread impression that contemporary French philosophy is little more than an object of ridicule. ¶ M. Derrida's voluminous writings in our view stretch the normal forms of academic scholarship beyond recognition. Above all -- as every reader can very easily establish for himself (and for this purpose any page will do) -- his works employ a written style that defies comprehension.
Jacques Derrida
"I didn't," said Jace. "At least, I didn't finish it. It's Magnus Bane." He grinned at Alec mockingly. "Rhymes with 'overcareful pain in the ass.'"
Cassandra Clare
Derrida, Jacques
Dershowitz, Alan
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