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Jack Valenti

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In a sometimes unreasonable business, Jack Valenti was a giant voice of reason. He was the greatest ambassador Hollywood has ever known and I will value his wisdom and friendship for all time.
--
Steven Spielberg, as quoted in "Spielberg remembers MPAA’s Jack Valenti" at spielbergfilms.com (27 April 2007)

 
Jack Valenti

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Jack Valenti etched the letters G, PG and R into American cinema.
That cultural legacy came early in his stewardship of Hollywood's top trade group, when he established the movie-ratings system still in place nearly 40 years later.

 
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I thought Jack Valenti was wrong about most of the tech-policy issues that he spoke about, but I'm going to miss that guy... One of the lingering regrets of my career is showing up a few minutes late to a Post boardroom luncheon with Valenti that had started with him denouncing a column I'd written about the MPAA's "technological totalitarianism." When I sat down, then-managing editor Steve Coll leaned over to summarize Valenti's opening statement as "he took your name in vain"; I felt like I'd missed the whole show.

 
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Jack Thompson: THIS GIANT "M" IS TOTALLY AWESOME, DUDES!
Actually, I don't think the "M" is big enough. I would favor two giant "M" labels that would be affixed to and thus obliterate the entire front and back of each "Mature" game.
And, if you buy such a game, labeled in that fashion, especially if you buy it at Best Buy, you get, free of charge, a giant "M" tatooed on your forehead right there at the point-of-sale device.
That particular "M" will stand for "MORON," which is presently a synonym for "gamer." David Walsh disagrees, but Best Buy wants him to disagree.
Oh, and here's the latest body blow to the video game industry engineered by Jack Thompson. Enjoy!
http://www.oregonlive.com/printer/printer.ssf?/base/metro_west_news/114378991122090.xml&coll=7
Jack Thompson

 
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I invite all of you to work with me to strengthen our copyright laws in all of the ways available to us. As you know, there is also Jack Valenti's proposal for term to last forever less one day. Perhaps the Committee may look at that next Congress.

 
Jack Valenti
 

Clerks spoke with the sure, clear voice of an original filmmaker. In Mallrats the voice is muffled, and we sense instead advice from the tired, the establishment, the timid and other familiar Hollywood executive types. The year that Clerks played at the Cannes Film Festival, I was the chairman of a panel discussion of independent filmmakers. Most of them talked about their battles to stay free from Hollywood's playsafe strategies. But Kevin Smith cheerfully said he'd be happy to do whatever the studios wanted, if they'd pay for his films. At the time, I thought he was joking.

 
Roger Ebert
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